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Postwar Europe and the Eurovision song contest /

Postwar Europe and the Eurovision Song Contest examines how the Eurovision Song Contest has reflected and become intertwined with the history of postwar Europe from a political perspective. Established in 1956, the Eurovision Song Contest is the world's largest popular music event and one of th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Vuletic, Dean (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Bloomsbury Academic, 2017.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Vuletic, Dean,  |e author. 
245 1 0 |a Postwar Europe and the Eurovision song contest /  |c Dean Vuletic. 
264 1 |a New York, NY :  |b Bloomsbury Academic,  |c 2017. 
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504 |a Includes bibliographical references and index. 
520 8 |a Postwar Europe and the Eurovision Song Contest examines how the Eurovision Song Contest has reflected and become intertwined with the history of postwar Europe from a political perspective. Established in 1956, the Eurovision Song Contest is the world's largest popular music event and one of the most popular television programmes in Europe, currently attracting a global audience of around 200 million people. Eurovision is often mocked as cultural kitsch because of its over-the-top performances and frivolous song lyrics. Yet there is no cultural medium that connects Europeans more than popular music, the development of which has always been tied to cultural, economic, political, social and technological change - making Eurovision the ideal tool to explain the history of Europe in the last sixty years. This book uses Eurovision as a vehicle to address topics ranging from the Cold War, liberal democracy and communism to nationalism, European integration, economic prosperity and human rights. It analyses these subjects through their cultural, political and social relationships with Eurovision entries as expressed through lyrics and music, as well as by examining public debates that have accompanied the selection of the entries and the organisation of the contest itself. Postwar Europe and the Eurovision Song Contest also considers how states have used Eurovision to define their identities in a European context, be it to assert their national distinctiveness, highlight political issues or affirm their Europeanism or Euroscepticism in the context of European integration. 
588 0 |a Print version record. 
505 0 0 |g Machine generated contents note:  |g pt. 1  |t Cold War, 1945-1989 --  |g 1.  |t Western European Arrangement --  |t Organizations --  |t Integration --  |t Anglo-Americanization --  |g 2.  |t Show of Nations --  |t Fashioning --  |t Mapping --  |t Revolutions --  |g 3.  |t Contest for Communism --  |t Appropriation --  |t Intervision --  |t Dissent --  |g pt. 2  |t European Unification, 1990-2016 --  |g 4.  |t Concert of Europe --  |t Wars --  |t Europeanism --  |t Euroscepticism --  |g 5.  |t Values of Eurovision --  |t Diversity --  |t Commercialism --  |t Democracy. 
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650 0 |a Eurovision Song Contest  |x History. 
650 0 |a Popular music  |x Competitions  |z Europe. 
650 0 |a Popular music  |x Political aspects  |z Europe  |x History  |y 20th century. 
650 6 |a Musique populaire  |x Aspect politique  |z Europe  |x Histoire  |y 20e siècle. 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
650 7 |a Popular music  |x Competitions  |2 fast 
650 7 |a Popular music  |x Political aspects  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
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