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Slave theater in the Roman Republic : Plautus and popular comedy /
"Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Richlin, Amy, |d 1951- |e author. | |
| 245 | 1 | 0 | |a Slave theater in the Roman Republic : |b Plautus and popular comedy / |c Amy Richlin. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xvi, 563 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover -- Half-title -- Title page -- Copyright information -- Dedication -- Table of contents -- List of tables -- Preface -- Acknowledgments -- Note to Readers -- Chapter 1 History and Theory -- Prologue -- Models of the Palliata -- History of Slavery -- History of the 200s bce: War, Poverty, Class Conflict -- Free Speech -- Humor Theory -- Performance Theory -- Plautus and Theories of Popular Culture -- The Politics of Reading Plautus -- Ancient Slavery and Current Ideology -- Part I What was Given -- Chapter 2 The Body at the Bottom -- Names -- Addressing the Body of the Audience -- Beating -- Sex -- Hunger -- The Comedian's Body -- Chapter 3 Singing for Your Supper -- Cheerleading -- Verbal Dueling -- Flagitatio, Occentatio, Quiritatio -- Debt and Shame, Fides and Credit -- Actors and Audience in the Wartime Economy -- Part II What Was Desired -- Chapter 4 Getting Even -- Putting the Owner Down -- Raising Up the Slave -- Claiming Good Things -- The Dream of a Free Place -- Chapter 5 Looking like a Slave-Woman -- Object into Subject -- Slave-Woman Drag -- Abusing the Era -- "I will still be some mother's daughter" -- When the Fat Lady Sings -- Chapter 6 Telling Without Saying -- Double Meaning -- Face-Out Lines -- Normative Statements and Exploding Cigars -- Turning Object into Subject -- Grumbling -- Editorials -- "Good Slave" Speeches -- Telling Without Saying -- Chapter 7 Remembering the Way Back -- Human Trafficking and the Road Home -- Traffic -- Road Maps -- Family Reunion and the Memory of Freedom -- Remember Your Orders -- Remember Where You Came from -- The Way Back and the Way Out -- Chapter 8 Escape -- Manumission -- Kings -- Birds and Cages -- Getting Off the Grid -- The Isles of the Blest and the Isles of the Damned -- Conquest -- Heaven -- Over Jordan -- Conclusion -- Appendix 1 Timeline: War and Comedy in the 200s bce. | |
| 505 | 8 | |a Appendix 2 Brief Plot Summaries Of The Extant Plays Attributed To Plautus ... -- Extant Plays Attributed to Plautus -- Titles of Early Roman Comedies for Which Fragments are Extant -- Titles of Comedies by Livius Andronicus forWhich Fragments Remain (3) -- Titles of Comedies by Naevius for Which Fragments Remain (33) -- Titles of Comedies by Plautus for Which Fragments Remain (32) -- Titles of Comedies by Ennius for Which Fragments Remain (2) -- Titles of Comedies by Caecilius Statius for Which Fragments Remain (42) -- Bibliography -- Abbreviations -- General Index -- Index Locorum -- Index Verborum. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
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| 650 | 0 | |a Latin drama (Comedy) |x History and criticism. | |
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| 650 | 0 | |a Slavery |z Rome |x Social conditions. | |
| 650 | 0 | |a Civilization, Classical. | |
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| 776 | 0 | 8 | |i Print version: |a Richlin, Amy, 1951- |t Slave theater in the Roman Republic. |d Cambridge : Cambridge University Press, 2017 |z 9781107152311 |z 1107152313 |w (OCoLC)1005721065 |
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