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Selected essays on intermediality by Werner Wolf (1992-2014) : theory and typology, literature-music relations, transmedial narratology, miscellaneous transmedial phenomena /
This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing 'intermediality' as an internationally recognized resear...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Leiden ; Boston :
Brill Rodopi,
[2018]
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| Colección: | Studies in intermediality ;
10. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: pt. I Intermediality: Theory and Typology
- 1. Intermedialitat als neues Paradigma der Literaturwissenschaft? Pladoyer fur eine literaturzentrierte Erforschung der Grenzuberschreitungen zwischen Wortkunst und anderen Medien am Beispiel von Virginia Woolfs "The String Quartet" [1996]
- 2. Towards a Functional Analysis of Intermediality: The Case of Twentieth-Century Musicalized Fiction [2002]
- 3. Intermedialitat
- ein weites Feld und eine Herausforderung fur die Literaturwissenschaft [2002]
- 4. Moglichkeiten und Grenzen der Ubertragung literaturwissenschaftlicher Terminologie auf Gegenstande der Kunstwissenschaft: Uberlegungen zu einem Weg interdisziplinarer Verstandigung am Beispiel von Èrzahlsituationen' und ̀Metafiktion' [2007]
- 5. Relevance of Mediality and Intermediality to Academic Studies of English Literature [2008]
- 6. Intermedialitat und mediale Dominanz: typologisch, funktionsgeschichtlich und akademisch-institutionell betrachtet [2010]
- 7. Intermedialitat: Konzept, literaturwissenschaftliche Relevanz, Typologie intermedialer Formen [2014]
- pt. II Literature-Music Relations
- 8. Can Stories Be Read as Music? Possibilities and Limitations of Applying Musical Metaphors to Fiction [1992]
- 9. Musicalized Fiction and Intermediality: Theoretical Aspects of Word and Music Studies [1999]
- 10. "Willst zu meinen Liedern deine Leier drehn?": Intermedial Metatextuality in Schubert's "Der Leiermann" as a Motivation for Song and Accompaniment and a Contribution to the Unity of Die Winterreise [2001]
- 11. Language and/or Music as Man's ̀Comfort'?: Beckett's Metamedial Allegory Words and Music [2005]
- 12. Metafiction and Metamusic: Exploring the Limits of Metareference [2007]
- 13. Metamusic? Potentials and Limits of ̀Metareference' in Instrumental Music: Theoretical Reflections and a Case Study (Mozart's Ein musikalischer Spafi) [2010]
- pt. III Transmedial Narratology
- 14. Das Problem der Narrativitat in Literatur, bildender Kunst und Musik: Ein Beitrag zu einer intermedialen Erzahltheorie [2002]
- 15. Narrative and Narrativity: A Narratological Reconceptualization and its Applicability to the Visual Arts [2003]
- 16. Narrativity in Instrumental Music? A Prototypical Narratological Approach to a Vexed Question [2008]
- 17. Narratology and Media(lity): The Transmedial Expansion of a Literary Discipline and Possible Consequences [2011]
- 18. Framings of Narrative in Literature and the Pictorial Arts [2014]
- pt. IV Miscellaneous Transmedial Phenomena
- 19. Intermedial Iconicity in Fiction
- Tema con variazioni [2003]
- 20. Metalepsis as a Transgeneric and Transmedial Phenomenon: A Case Study of the Possibilities of Èxporting' Narratological Concepts [2005]
- 21. Mise en cadre
- a Neglected Counterpart to mise en abyme: A Frame-theoretical and Intermedial Complement to Classical Narratology [2010]
- 22. Wiederholung bzw. Ahnlichkeit in der (Sprach- )Kunst als sinnstiftende formale Selbstreferenz [2014].