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Free indirect style in modernism : representations of consciousness /
Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Philadelphia :
John Benjamins Publishing Company,
[2017]
|
| Colección: | Linguistic approaches to literature ;
v. 29. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rundquist, Eric, |e author. | |
| 245 | 1 | 0 | |a Free indirect style in modernism : |b representations of consciousness / |c Eric Rundquist, Pontifical Catholic University of Chile. |
| 264 | 1 | |a Amsterdam ; |a Philadelphia : |b John Benjamins Publishing Company, |c [2017] | |
| 300 | |a 1 online resource (xvii, 197 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Linguistic Approaches to Literature (LAL) ; |v volume 29 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 08, 2018). | |
| 505 | 0 | |a Free Indirect Style in Modernism; Editorial page; Title page; LCC data; Dedication page; Table of Contents; Acknowledgements; Key to acronyms; Introduction; 1. Free Indirect Style and a consciousness category approach; 1.1 FIT and the representation of thought; 1.1a Thought and language; 1.1b Non-verbal thought and FIT; 1.1c Mimetic diegesis and representation; 1.2 Beyond thought FIT to FIS; 1.2a Free Indirect Perception and the was-now paradox; 1.2b Free Indirect Psycho-narration and the Consciousness Category Approach; 1.2c The parameters of FIS. | |
| 505 | 8 | |a 1.3 The problem of the narrator and the possibility of dual subjectivities in FIS1.3a The original dual voice theory; 1.3b The communication model vs. no-narrator theory; 1.3c Dual subjectivity; 1.4 Modernist fiction, FIS and consciousness; 1.4a Summary and overview; 2. A consciousness category approach to To the Lighthouse; 2.1 Background; 2.1a The cognitive turn away from the consciousness categories; 2.1b Woolfâ#x80;#x99;s Modernist objectives; Anchor 53; 2.2a On the threshold of verbalisation; 2.2b Other aspects of Mrs Ramsayâ#x80;#x99;s consciousness. | |
| 505 | 8 | |a 2.3 Adapting â#x80;#x98;mind-styleâ#x80;#x99; to a stream of consciousness analysis2.4 Consciousness-representation and transparent fictional minds; 3. FIS and the voice of the Other in The Rainbow; Anchor 50; 3.2 Establishing the presence of an authorial narrator; 3.2a Brief intrusions; 3.3 A summative perspective within FIS; 3.4 Expressing the unconscious in FIS; 3.4a Implicating the unconscious with rhetorical devices; 3.4b Metaphors, stylistic expressivity and authorial voice; 3.5 The voice of the Other and the ambiguous â#x80;#x98;Iâ#x80;#x99. | |
| 505 | 8 | |a 4. Caught between figural subjectivity and narratorial exuberance in â#x80;#x9C;Scylla and Charybdisâ#x80;#x9D;4.1 Background: The narratological dilemma of agency in Ulysses; 4.2 Overview of the â#x80;#x9C;Scyllaâ#x80;#x9D; narrative and style; 4.2a Initial analysis; 4.2b The possibility of a narratorial reading; 4.3 Evidence for the FIS representation of Stephenâ#x80;#x99;s consciousness; 4.3a Evidence of FIP; 4.3b Stylistic deviation as FIS; 4.3c Narratological perspectives on Stephenâ#x80;#x99;s subjectivity; 4.3d Non-reflective consciousness and parallel processing; 4.4 Ambiguous FIS as dual subjectivity. | |
| 505 | 8 | |a 4.4a Metafiction in â#x80;#x9C;Scyllaâ#x80;#x9D;5. Conclusions; 5.1 General findings; 5.2 Analytical findings; 5.3 A defence of â#x80;#x98;representationalismâ#x80;#x99; and future research directions; References. | |
| 520 | 8 | |a Free Indirect Style (FIS) is a linguistic technique that defies the logic of human subjectivity by enabling readers to directly observe the subjective experiences of third-person characters. This book consolidates the existing literary-linguistic scholarship on FIS into a theory that is based around one of its most important effects: consciousness representation. Modernist narratives exhibit intensified formal experimentation and a heightened concern with characters? conscious experience, and this provides an ideal context for exploring FIS and its implications for character consciousness. This book focuses on three novels that are central to the Modernist canon: Virginia Woolf?s 'To the Lighthouse', D.H. Lawrence?s 'The Rainbow' and James Joyce?s 'Ulysses'. It applies the revised theory of FIS in close semantic analyses of the language in these narratives and combines stylistics with literary criticism, linking interpretations with linguistic features in distinct manifestations of the style.0. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Indirect discourse in literature. | |
| 650 | 0 | |a Fiction |x Technique. | |
| 650 | 0 | |a Modernism (Literature) | |
| 650 | 6 | |a Discours indirect dans la littérature. | |
| 650 | 6 | |a Modernisme (Littérature) | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
| 650 | 7 | |a Fiction |x Technique |2 fast | |
| 650 | 7 | |a Indirect discourse in literature |2 fast | |
| 650 | 7 | |a Modernism (Literature) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Rundquist, Eric author. |t Free indirect style in modernism. |d Amsterdam ; Philadelphia : John Benjamins Publishing Company, 2018 |z 9789027200174 |w (DLC) 2017045521 |
| 830 | 0 | |a Linguistic approaches to literature ; |v v. 29. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1630974 |z Texto completo |
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