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The popular front novel in Britain, 1934-1940 /

In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Taylor, Elinor (Postdoctoral teacher) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2018]
Colección:Historical materialism book series ; 153.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The popular front novel in Britain, 1934-1940 /  |c by Elinor Taylor. 
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490 1 |a Historical materialism ;  |v 153 
504 |a Includes bibliographical references and index. 
505 0 |a Anti-fascist aesthetics in international context -- John Sommerfield, May Day (1936) -- Arthur Calder-Marshall, Pie in the sky (1937) -- History and the historical novel -- James Barke and the national turn -- Lewis Jones's fiction. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
520 |a In The Popular Front Novel in Britain, 1934-1940, Elinor Taylor provides the first study of the relationship between the British novel and the anti-fascist Popular Front strategy endorsed by the Comintern in 1935. Through readings of novels by British Communists including Jack Lindsay, John Sommerfield, Lewis Jones and James Barke, Taylor shows that the realist novel of the left was a key site in which the politics of anti-fascist alliance were rehearsed. Maintaining a dialogue with theories of populism and with Georg Lukács's vision of a revived literary realism ensuing from the Popular Front, this book at once illuminates the cultural formation of the Popular Front in Britain and proposes a new framework for reading British fiction of this period. 
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