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The globalization of Renaissance art : a critical review /

In The Globalization of Renaissance Art: A Critical Review, Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcend...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Savoy, Daniel, 1977- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2017]
Colección:Brill's studies in intellectual history ; v. 274.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 23.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The globalization of Renaissance art :  |b a critical review /  |c edited by Daniel Savoy. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (xii, 341 pages) :  |b illustrations (some color), maps 
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490 1 |a Brill's studies in intellectual history ;  |v volume 274 
490 1 |a Brill's studies on art, art history, and intellectual history ;  |v volume 23 
504 |a Includes bibliographical references and index. 
505 0 |a Global genealogies -- Beyond Eurocentrism -- A borderless Renaissance -- Instituting the global. 
545 0 |a Daniel Savoy is Associate Professor of Art History at Manhattan College. He is the author of Venice from the Water (Yale University Press, 2012), which received the 2012 PROSE Award in Art History. 
588 0 |a Print version record. 
520 |a In The Globalization of Renaissance Art: A Critical Review, Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff. 
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650 0 |a Art, Renaissance  |x Historiography. 
650 0 |a Art  |x Historiography  |x Methodology. 
650 6 |a Art de la Renaissance  |x Historiographie. 
650 6 |a Art  |x Historiographie  |x Méthodologie. 
650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 7 |a Art  |x Historiography  |x Methodology.  |2 fast  |0 (OCoLC)fst00815262 
650 7 |a Art, Renaissance  |x Historiography.  |2 fast  |0 (OCoLC)fst00816793 
700 1 |a Savoy, Daniel,  |d 1977-  |e editor. 
776 0 8 |i Print version:  |t Globalization of Renaissance art.  |d Leiden ; Boston : Brill, [2017]  |z 9789004355781  |w (DLC) 2017052529  |w (OCoLC)1001920886 
830 0 |a Brill's studies in intellectual history ;  |v v. 274. 
830 0 |a Brill's studies in intellectual history.  |p Brill's studies on art, art history, and intellectual history ;  |v v. 23. 
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