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Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /

Visualizing sensuous suffering and affective pain in Early Modern Europe and the Spanish Americas' is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Ch...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Graham, Heather, 1978- (Editor ), Kilroy-Ewbank, Lauren (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2018.
Colección:Brill's studies in intellectual history ; v. 277.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 24.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /  |c edited by Heather Graham and Lauren G. Kilroy-Ewbank. 
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490 1 |a Brill's studies in intellectual history ;  |v Volume 277 
490 1 |a Brill's studies on art, art history, and intellectual history ;  |v Volume 24 
504 |a Includes bibliographical references and index. 
505 0 |a Performing Pain -- Pain and Suffering in Franciscan Devotion -- Sensuous Suffering Through Word and Image. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
520 |a Visualizing sensuous suffering and affective pain in Early Modern Europe and the Spanish Americas' is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap. 
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650 0 |a Pain in art. 
650 0 |a Art, European  |x Themes, motives. 
650 0 |a Art, Spanish colonial  |x Themes, motives. 
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650 6 |a Art colonial espagnol  |x Thèmes, motifs. 
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650 7 |a Pain in art  |2 fast 
650 7 |a Suffering in art  |2 fast 
700 1 |a Graham, Heather,  |d 1978-  |e editor. 
700 1 |a Kilroy-Ewbank, Lauren,  |e editor. 
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830 0 |a Brill's studies in intellectual history.  |p Brill's studies on art, art history, and intellectual history ;  |v v. 24. 
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