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Paraliterary : the making of bad readers in postwar America /

Literature departments are staffed by, and tend to be focused on turning out, "good" readers--attentive to nuance, aware of history, interested in literary texts as self-contained works. But the vast majority of readers are, to use this book's tongue-in-cheek term, "bad" rea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Emre, Merve (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago ; London : The University of Chicago Press, 2017.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Paraliterary :  |b the making of bad readers in postwar America /  |c Merve Emre. 
264 1 |a Chicago ;  |a London :  |b The University of Chicago Press,  |c 2017. 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction: pop quiz -- Reading as imitation -- Reading as feeling -- Brand reading -- Sight reading -- Reading like a bureaucrat -- Reading like a revolutionary -- Conclusion: retracing one's steps. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed October 3, 2017). 
520 |a Literature departments are staffed by, and tend to be focused on turning out, "good" readers--attentive to nuance, aware of history, interested in literary texts as self-contained works. But the vast majority of readers are, to use this book's tongue-in-cheek term, "bad" readers. They read fiction and poetry to be moved, distracted, instructed, improved, engaged as citizens. How should we think about those readers, and what should we make of the structures, well outside the academy, that generate them? We should, the book argues, think of such readers not as non-literary but as paraliterary--thriving outside the institutions we take as central to the literary world. The book explores this phenomenon in the postwar period, when literature played a key role in the rise of American power. At the same time as American universities were producing good readers by the hundreds, many more thousands of bad readers were learning elsewhere to be disciplined public communicators, whether in diplomatic and ambassadorial missions, private and public cultural exchange programs, multinational corporations, or global activist groups. As we grapple with literature's diminished role in the public sphere, this book suggests a new way to think about literature, its audience, and its potential, one that looks at the civic institutions that have long engaged readers ignored by the academy 
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