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|a UAMI
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|a Cross-cultural dialogue on the global stage /
|c editor, Becky K. Becker.
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|a Tuscaloosa, Alabama :
|b University of Alabama Press,
|c [2017]
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|c ©2017
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|a 1 online resource
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|a Theatre symposium ;
|v volume 25
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|a Introduction; Theatre as Cultural Exchange: Stages and Studios of Learning -- Anita Gonzalez; Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico -- E. Bert Wallace; Gertrude Hoffmann's Lawful Piracy: "A Vision of Salome"and the Russian Season as Transatlantic Production Impersonations -- Sunny Stalter-Pace; Greasing the Global: Princess Lotus Blossom and the Fabrication of the "Orient" to Pitch Products in the American Medicine Show -- Chase Bringardner.
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|a Dismembering Tennessee Williams: The Global Context of Lee Breuer's A Streetcar Named Desire -- Daniel CibaTransformative Cross-Cultural Dialogue in Prague: Americans Creating Czech History Plays -- Karen Berman; Finding Common Ground: Lessac Training across Cultures -- Erica Tobolski and Deborah Kinghorn; Contributors.
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|a Includes bibliographical references.
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|a "A publication of the Southeastern Theatre Conference."
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|t Theatre as cultural exchange : stages and studios of learning /
|r Anita Gonzalez --
|t Certain kinds of dances used among them : an initial inquiry into colonial Spanish encounters with the Areytos of the Taíno in Puerto Rico /
|r E. Bert Wallace --
|t Gertrude Hoffmann's lawful piracy : "A vision of Salome" and the Russian season as transatlantic production impersonations /
|r Sunny Stalter-Pace --
|t Greasing the global : Princess Lotus Blossom and the fabrication of the "Orient" to pitch products in the American medicine show /
|r Chase Bringardner --
|t Dismembering Tennessee Williams : the global context of Lee Breuer's A streetcar named Desire /
|r Daniel Ciba --
|t Transformative cross-cultural dialogue in Prague : Americans creating Czech history plays /
|r Karen Berman --
|t Finding common ground : Lessac training across cultures /
|r Erica Tobolski and Deborah Kinghorn.
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0 |
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|a Online resource; title from PDF title page (EBSCO, viewed April 16, 2018).
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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|a Intercultural communication in the performing arts.
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| 650 |
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|a Theater
|x History.
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| 650 |
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|a Theater and globalization.
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|a Globalization.
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| 650 |
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|a Théâtre
|x Histoire.
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|a Théâtre et mondialisation.
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| 650 |
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|a Mondialisation.
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| 650 |
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|a globalism.
|2 aat
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a Globalization
|2 fast
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|a Intercultural communication in the performing arts
|2 fast
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|a Theater
|2 fast
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| 650 |
|
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|a Theater and globalization
|2 fast
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| 655 |
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|a History
|2 fast
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| 700 |
1 |
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|a Becker, Becky K.,
|e editor.
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|a Southeastern Theatre Conference (U.S.)
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| 776 |
0 |
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|i Print version:
|t Cross-cultural dialogue on the global stage.
|d Tuscaloosa, Alabama : University of Alabama Press, [2017]
|z 0817370129
|z 9780817370121
|w (OCoLC)993640080
|
| 776 |
0 |
8 |
|i Print version:
|t Cross-cultural dialogue on the global stage.
|d Tuscaloosa, Alabama : University of Alabama Press, ©2017
|z 9780817370121
|w (OCoLC)1006503088
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| 830 |
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|a Theatre symposium ;
|v v. 25.
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