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Ingmar Bergman's Face to face /

The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work. This book tells the story of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tapper, Michael, 1959- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Wallflower Press, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Tapper, Michael,  |d 1959-  |e author. 
245 1 0 |a Ingmar Bergman's Face to face /  |c Michael Tapper. 
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300 |a 1 online resource (242 pages) :  |b illustrations 
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504 |a Includes bibliographical references (paages 217-231) and index. 
588 0 |a Print version record. 
505 0 |a Part one. Prelude: the 1960s -- Part two. Bergman goes TV -- Part three. Bergman's modernism -- Part four. The Djursholm trilogy plus one -- Part five. Face to face. 
520 |a The 1976 premiere of Face to Face came at the height of director-screenwriter Ingmar Bergman's career. Prestigious awards and critical acclaim had made him into a leading name in European art cinema, yet today Face to Face is a largely overlooked and dismissed work. This book tells the story of its rise and fall. It presents a new portrait of Bergman as a political artist exploring a new medium with huge public impact: television. Inspired by Henrik Ibsen, feminism, and alternative psychotherapy, he made a series of portraits of the modern bourgeois family focusing on the plight of women; Face to Face followed in the tracks of The Lie (1970) and Scenes from a Marriage (1973). By his workbooks, engagement planners, and other archival material, we can trace his investigation into the heart of repressive family structures to eventually glimpse a way out. This volume culminates in an extensive study of the two-year process from the first outlines of the screenplay to the reception and aftermath of Face to Face. It thus offers a unique insight into Bergman's world, his ideas and artistry during a turbulent time in cinema history. 
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