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|a 9780819578020
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|a UAMI
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|a Harbert, Benjamin J.,
|e author.
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|a American music documentary :
|b five case studies of ciné-ethnomusicology /
|c Benjamin J. Harbert.
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|a Middletown, Connecticut :
|b Wesleyan University Press,
|c [2018]
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|c ©2018
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|a 1 online resource (xiv, 300 pages)
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|a Music: interview
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|a Includes bibliographical references, filmography, and index.
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|a Introduction -- Where is the music? what is the music?: Albert Maysles, Gimme shelter (1970) -- Representing the margins and underrepresenting the real: Jill Godmilow, Antonia: A portrait of the woman (1974) -- The use and abuse of musicological concepts: Shirley Clarke, Ornette: Made in America (1985) -- The theater of mass culture: D.A. Pennebaker and Chris Hegedus, Depeche mode: 101 -- Cinematic dub and the multitude: Jem Cohen and Fugazi, Instrument -- Epilogue: toward a ciné-ethnomusicology.
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|a Online resource; title from digital title page (viewed on May 16, 2018).
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|a A critical companion to the most celebrated music documentaries of the twentieth century.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Documentary films
|z United States
|x History and criticism.
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|a Motion picture music
|z United States
|x History and criticism.
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|a Film, Musique de
|z États-Unis
|x Histoire et critique.
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|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
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|a Documentary films.
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|a Criticism, interpretation, etc.
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|0 (OCoLC)fst01411635
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|i Print version:
|a Harbert, Benjamin J.
|t American music documentary.
|d Middletown, Connecticut : Wesleyan University Press, 2018
|z 9780819578006
|w (DLC) 2017036468
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|a Music:interview.
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