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Immanence and immersion : on the acoustic condition in contemporary art /
"A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"--
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury Academic,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title Page; Copyright Page; Contents; List of Figures; List of Tables; Preface; Acknowledgements; Introduction; I.1 Immersion is the new orthodoxy; I.2 The ideology of immersion; I.3 Immersion and correlationism; I.4 Immanence and immersion; I.5 Exteriority and the outside; I.6 Exiting immersion; Chapter 1 Decentralization; 1.1 Get Out of the Defensive Position; 1.2 Transcendental empiricism: Approaching the edge of the circle; 1.3 Negative duration; 1.4 Prodigious simplification; Chapter 2 Infraesthetics; 2.1 Extreme audition; 2.2 Rolf Julius; 2.3 Stephen Vitiello; 2.4 Nina Canell.
- Chapter 3 Writing Out Sound3.1 Writing and exteriority; 3.2 Exteriority and the real; 3.3 Sound recording and writing sound; 3.4 Sound is always-already written out; Chapter 4 Immersive Phenomenology; 4.1 Husserl; 4.2 Merleau-Ponty; Chapter 5 Sonic Materialism; 5.1 Affective matter; 5.2 Material phenomenology; 5.3 Sonic-material phenomenology; 5.4 Sonic realism; Chapter 6 The Scientific Image; 6.1 Ryoichi Kurokawa: Abstraction and the lifeworld; 6.2 Towards a corruption of aesthetic sufficiency; Chapter 7 Repurposing Conceptualism; 7.1 Immanence and representation.
- 7.2 Extinction abounds: Katie PatersonChapter 8 The Stratification of Immanence; 8.1 Immanence contra immersion; 8.2 Beyond the circle; 8.3 Immanence and an ethics of exteriority; References; Index.