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Critical approaches to the production of music and sound /
Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from th...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Bloomsbury Academic,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Critical approaches to the production of music and sound / |c [edited by] Samantha Bennett and Eliot Bates. |
| 264 | 1 | |a New York, NY : |b Bloomsbury Academic, |c 2018. | |
| 264 | 4 | |c Ã2018 | |
| 300 | |a 1 online resource (xiv, 274 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 11, 2018). | |
| 505 | 0 | |a The production of music and sound : a multidisciplinary critique / Eliot Bates and Samantha Bennet -- I. Situating production : place, space and gender. Field recording and the production of place / Tom Western -- The poietics of space : the role and co-performance of the spatial environment in popular music production / Damon Minchella -- "An indestructible sound" : locating gender in genres using different music production approaches / Paula Wolfe -- II. Beyond representation. Producing tv sries music in Istanbul / Eliot Bates -- Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian Indigenous music / Karl Neuenfeldt -- III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet -- Technologies of play in hip-hop and electronic dance music production and performance / Mike D'Errico -- IV. Technology and technique. Weapons of mass deception : the invention and reinvention of recording studio mythology / Alan Williams -- Auto-tune in situ : digital vocal correction and conversational repair / Owen Marshall -- V. Mediating sound and silence. Listening to or through technology : opaque and transparent mediation / Ragnhild Brovog-Hanssen -- Six types of silence / Richard Osborne -- VI. Virtuality and online production. Intermixtuality : case studies in online music (re)production / Samantha Bennett -- Crowdfunding and alternative modes of production / Mark Thorley. | |
| 520 | |a Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from the fields of music, audio engineering, anthropology, and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Sound recordings |x Production and direction. | |
| 650 | 0 | |a Popular music |x Production and direction. | |
| 650 | 7 | |a Music recording & reproduction. |2 bicssc | |
| 650 | 7 | |a Music industry. |2 bicssc | |
| 650 | 7 | |a Music. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Sound recordings |x Production and direction |2 fast | |
| 700 | 1 | |a Bennett, Samantha |c (Music professor), |e editor, |e contributor. | |
| 700 | 1 | |a Bates, Eliot, |e editor, |e contributor. | |
| 776 | 0 | 8 | |i Print version: |t Critical approaches to the production of music and sound. |d New York NY : Bloomsbury Academic, 2017 |z 9781501332050 |w (DLC) 2017024433 |
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