Cargando…
Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : Mattheson's universal style in theory and practice /
"A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
2016.
|
| Colección: | Royal Musical Association monographs ;
no. 25. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn993683620 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 170714r20162014enkg ob 001 0 eng d | ||
| 040 | |a IDEBK |b eng |e pn |c IDEBK |d N$T |d OCLCQ |d N$T |d TYFRS |d OCLCQ |d IDEBK |d OCLCF |d OCLCQ |d K6U |d OCLCO |d OCLCQ |d OCL | ||
| 019 | |a 1001911021 | ||
| 020 | |a 1351561618 |q (electronic bk.) | ||
| 020 | |a 9781351561617 |q (electronic bk.) | ||
| 020 | |a 9781315092270 |q (electronic bk.) | ||
| 020 | |a 1315092271 |q (electronic bk.) | ||
| 020 | |z 9781472438461 | ||
| 020 | |z 1472438469 | ||
| 035 | |a (OCoLC)993683620 |z (OCoLC)1001911021 | ||
| 037 | |a 1018460 |b MIL | ||
| 043 | |a e-gx--- | ||
| 050 | 4 | |a ML423.M43 |b S43 2016 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.9 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Seares, Margaret, |d 1968- |e author. | |
| 245 | 1 | 0 | |a Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre : |b Mattheson's universal style in theory and practice / |c Margaret Seares. |
| 260 | |a London ; |a New York : |b Routledge, |c 2016. | ||
| 300 | |a 1 online resource : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Royal Musical Association monographs ; |v 25 | |
| 588 | 0 | |a Print version record. | |
| 500 | |a "First published 2014 by Ashgate Publishing." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The formative years leading up to Das neu-eröffnete Orchestre and the Pièces de clavecin -- Mattheson's Das neu-eröffnete Orchestre of 1713 -- Les pièces de clavecin/Harmonisches Denckmahl -- Mattheson's German heritage -- Music à la mode : Mattheson's response to the music of his Italian and French contemporaries -- Mattheson and universalism -- Mattheson's dance movements : an amalgam of styles -- Conclusion -- Appendix : translation of Part 3, chapter 1 from Das neu-eröffnete Orchestre. | |
| 520 | |a "A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-eröffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pièces de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense of á la mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel."--Provided by publisher. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Mattheson, Johann, |d 1681-1764. |t Pièces de clavecin. |
| 600 | 1 | 0 | |a Mattheson, Johann, |d 1681-1764. |t Neu-eröffnete Orchestre. |
| 630 | 0 | 7 | |a Pièces de clavecin (Mattheson, Johann) |2 fast |0 (OCoLC)fst02058141 |
| 630 | 0 | 7 | |a Neu-eröffnete Orchestre (Mattheson, Johann) |2 fast |0 (OCoLC)fst01938014 |
| 650 | 0 | |a Music |z Germany |y 18th century |x History and criticism. | |
| 650 | 6 | |a Musique |z Allemagne |y 18e siècle |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | 2 | |a Mattheson, Johann, |d 1681-1764. |t Neu-eröffnete Orchestre. |p Judicatoria. |k Selections. |l English. |
| 776 | 0 | 8 | |i Print version: |z 9781472438461 |
| 830 | 0 | |a Royal Musical Association monographs ; |v no. 25. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1551751 |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 1551751 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis38455992 | ||
| 938 | |a Taylor & Francis |b TAFR |n 9781315092270 | ||
| 994 | |a 92 |b IZTAP | ||