Cargando…
Imagination, music, and the emotions : a philosophical study /
Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press,
[2017]
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction; Chapter I: Emotions, Moods, and Feelings; I.1. Introduction; I.2. What are Emotions?; I.3. Emotions, Beliefs, and Moods; I.4. Other Views: Martha Nussbaum's Neo-Stoic Cognitivism; I.5. Paul Griffiths's Theory; I.6. Jesse Prinz's Somatic View; I.7. A Concluding Concession; Chapter II: Expression Theories and Arousalism; II. 1. Introduction; II. 2. Bruce Vermazen's Expression Theory; II. 3. Jerrold Levinson's Persona Theory; II. 4. Jenefer Robinson's Theory; II. 5. Contra Simple Arousalism; II. 6. Aaron Ridley's Moderate Arousalism; II. 7. Derek Matravers's Moderate Arousalism.
- II. 8. Charles Nussbaum's ViewII. 9. Conclusion; Chapter III: Metaphors and Metaphorism; III. 1. Introduction; III. 2. Against Metaphorism (Part 1); III. 3. Metaphorical Meaning and Paraphraseability; III. 4. Against Metaphorism (Part 2); III. 5. Metaphors, Resemblance, and Imagination; III. 6. Against Metaphorism (Part 3); III. 7. Conclusion; Chapter IV: Resemblance-Based Theories; IV. 1. Introduction; IV. 2. Resemblance-Based Views; IV. 3. Criticisms; IV. 4. Objections and Replies; IV. 5. Conclusion; Chapter V: Imagination; V.1. Introduction: Different Kinds of Imaginings.
- v. 2. Imaginative Perceptions and Perceptual ImaginingsV. 3. Children's Imaginings; V.4. Gregory Currie's View; V.5. Imagination, Music Perception, and Musical Culture; V.6. Conclusion; Chapter VI: Imaginationism; VI. 1. Introduction; VI. 2. Against Formalism about Music; VI. 3. How We Imagine in Relation to Music; VI. 4. Why We Imagine in Relation to Music; VI. 5. Musical Arousal; VI. 6. Objections and Replies; VI. 7. Conclusion; Summary and Conclusion; Notes; References; Index.