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EBSCO_ocn993033156 |
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170706s2017 nyu ob 001 0 eng |
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|a 2017032652
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|a 1256684207
|a 1259081208
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|a 9781438467184
|q (electronic book)
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|a 1438467184
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|z 9781438467177
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|a (OCoLC)993033156
|z (OCoLC)1256684207
|z (OCoLC)1259081208
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|a pcc
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|a ML3800
|b .T75 2017
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|a MUS
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|2 bisacsh
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|a 781.1/1
|2 23
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|a UAMI
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|a Trivedi, Saam,
|d 1968-
|e author.
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|a Imagination, music, and the emotions :
|b a philosophical study /
|c Saam Trivedi.
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|a Albany :
|b State University of New York Press,
|c [2017]
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|a 1 online resource (ix, 195 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Introduction; Chapter I: Emotions, Moods, and Feelings; I.1. Introduction; I.2. What are Emotions?; I.3. Emotions, Beliefs, and Moods; I.4. Other Views: Martha Nussbaum's Neo-Stoic Cognitivism; I.5. Paul Griffiths's Theory; I.6. Jesse Prinz's Somatic View; I.7. A Concluding Concession; Chapter II: Expression Theories and Arousalism; II. 1. Introduction; II. 2. Bruce Vermazen's Expression Theory; II. 3. Jerrold Levinson's Persona Theory; II. 4. Jenefer Robinson's Theory; II. 5. Contra Simple Arousalism; II. 6. Aaron Ridley's Moderate Arousalism; II. 7. Derek Matravers's Moderate Arousalism.
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|a II. 8. Charles Nussbaum's ViewII. 9. Conclusion; Chapter III: Metaphors and Metaphorism; III. 1. Introduction; III. 2. Against Metaphorism (Part 1); III. 3. Metaphorical Meaning and Paraphraseability; III. 4. Against Metaphorism (Part 2); III. 5. Metaphors, Resemblance, and Imagination; III. 6. Against Metaphorism (Part 3); III. 7. Conclusion; Chapter IV: Resemblance-Based Theories; IV. 1. Introduction; IV. 2. Resemblance-Based Views; IV. 3. Criticisms; IV. 4. Objections and Replies; IV. 5. Conclusion; Chapter V: Imagination; V.1. Introduction: Different Kinds of Imaginings.
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|a v. 2. Imaginative Perceptions and Perceptual ImaginingsV. 3. Children's Imaginings; V.4. Gregory Currie's View; V.5. Imagination, Music Perception, and Musical Culture; V.6. Conclusion; Chapter VI: Imaginationism; VI. 1. Introduction; VI. 2. Against Formalism about Music; VI. 3. How We Imagine in Relation to Music; VI. 4. Why We Imagine in Relation to Music; VI. 5. Musical Arousal; VI. 6. Objections and Replies; VI. 7. Conclusion; Summary and Conclusion; Notes; References; Index.
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|a Online resource; title from digital title page (viewed on September 13, 2017).
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|a Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Music
|x Philosophy and aesthetics.
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|a Emotions in music.
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|a Musique
|x Philosophie et esthétique.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Emotions in music
|2 fast
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|a Music
|x Philosophy and aesthetics
|2 fast
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|i Print version:
|a Trivedi, Saam, 1968-
|t Imagination, music, and the emotions.
|d Albany, NY : State University of New York, 2017
|z 9781438467177
|w (DLC) 2016054531
|
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|a ProQuest Ebook Central
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|a EBSCOhost
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