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Dialogues between art and business : collaborations, cooptations, and autonomy in a knowledge society /
The relationship between the fine art and the business sphere has never been harmonious; it has been rejected, fought about, ignored, exploited, criticised and questioned, but it is still omnipresent. Commonly assumed to be antagonistic, situating art and the business organisation sphere in the disc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Strauss, Anke, |e author. | |
| 245 | 1 | 0 | |a Dialogues between art and business : |b collaborations, cooptations, and autonomy in a knowledge society / |c by Anke Strauß. |
| 264 | 1 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2017. | |
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| 505 | 0 | |a Table of Contents; Acknowledgement; Introduction; Chapter One; Distant Business: Art's Antagonist; The Imperative of Autonomy; Art Tackling Business; Commodity: Business Incorporating Art; Shifting Strata, Distant Desires; Learning Business? New Knowledge Creation with the Arts; Breaking with Routines: De-familiarising the Familiar; Exploiting Existing Sources of Knowledge; Developing New Skills: Creativity as Meta-knowledge; Concepts of Knowledge, Notions of Art; An Alternative View of Knowledge; The Concept of Dialogue; Analysis Part I; Chapter Two; Product & Vision Set-up; Consensus. | |
| 505 | 8 | |a The Notion of ExpertsRelevancy; Chapter Three; Translations: How to Convince a Business Organisation?; Translator: Research as a Third Space; Switching Values: Finding Corporate Money; Against Translation?; Model Business; Distant Relations; Analysis Part II; Chapter Four; Portraiture and Impression Management; Trusting and Wary Relationships; Latent Control: Managing and Questioning Impressions; Latent Subversion: Surfing Stereotypes and Employing New Subjectivities; Shifting Places: Changing Audiences; Chapter Five; The Rigid Lines in Your Head, or How Much Do You Believe? | |
| 505 | 8 | |a Interfaces: Dangers of Infection and Strategies of DemarcationThe Risk of Interfacial Hothouses; Generating Clean Interfaces: Trojan Horses and Nudes; From Flows to Points: Shifts in Priorities; Chapter Six; The Dancing Witch; The Happy Amateur; Precious Underground; Coda; Some Concluding Words; Bibliography. | |
| 520 | |a The relationship between the fine art and the business sphere has never been harmonious; it has been rejected, fought about, ignored, exploited, criticised and questioned, but it is still omnipresent. Commonly assumed to be antagonistic, situating art and the business organisation sphere in the discourses of new knowledge creation and learning, however, holds the potential of exploring new ways of relating the two spheres. This book investigates such potentialities, discussing the limits and challenges of these new forms of relating. It does so by first outlining the changing discourses of the. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art and business. | |
| 650 | 6 | |a Art et affaires. | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a Economics, finance, business & management. |2 bicssc | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Art and business |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Strauss, Anke. |t Dialogues between art and business. |d Newcastle upon Tyne : Cambridge Scholars Publishing, 2017 |z 1443898651 |z 9781443898652 |w (OCoLC)973504520 |
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