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Acoustic entanglements : sound and aesthetic practice /

Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by rea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kim, Sabine
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Heidelberg : Universitätsverlag Winter, 2017.
Colección:American Studies - A Monograph Series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Acoustic entanglements :  |b sound and aesthetic practice /  |c Sabine Kim 
260 |a Heidelberg :  |b Universitätsverlag Winter,  |c 2017. 
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490 1 |a American Studies - A Monograph Series ;  |v v. 278 
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504 |a Includes bibliographical references (pages 159-174) and index. 
505 0 |a Introduction: sound that moves -- Spirited media, aural excesses: Emily Dickinson and the phonograph -- (Re)mixing histories: Lillian Allen and the roues of dub poetry -- Subjects of hearing, subject to history: the sound works of Janet Cardiff and George Bures Miller -- Disciplining hearing -- Stratified sound: Rebecca Belmore and William Forsythe. 
520 |a Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Starting by reassessing Emily Dickinson's poetry as participating in an emergent phonographic logic, this book proposes that sound in modernity assumes the capacity to cross time and space, 'entangling' past and present, living and dead, periphery and alleged center. From this vantage point, the study examines Lillian Allen's dub poetry as an ethical demand for economic justice made via sound, Janet Cardiff's audio walks as renegotiating the cultural place of Europe for a North American imaginary, and Anishinaabe artist Rebecca Belmore's performances as voicing indigenous resilience in the present. Focusing on Canada and the US, the book brings together the fields of sound studies and transnational American studies -- Provided by the publisher. 
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600 1 7 |a Dickinson, Emily  |d 1830-1886  |2 gnd 
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600 1 7 |a Belmore, Rebecca  |d 1960-  |2 gnd 
600 1 7 |a Forsythe, William  |d 1949-  |2 gnd 
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