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Music in the London theatre from Purcell to Handel /
This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, United Kingdom :
Cambridge University Press,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Music in the London theatre from Purcell to Handel / |c edited by Colin Timms, Bruce Wood. |
| 264 | 1 | |a Cambridge, United Kingdom : |b Cambridge University Press, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Vendor-supplied metadata. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750). | ||
| 505 | 0 | |a Purcell's "scurvy" poets / Roger Savage -- Opera as literature and the triumph of music / Martin Adams -- The British enchanters and George Granville's theory of opera / Wolfgang Hirschmann -- Lost chances: obstacles to English opera for Purcell and Handel / Jeffrey Barnouw -- Alexander's feast, or The power of perseverance: Dryden's plan for English opera and its near-fulfilment in a Handel ode / Andrew Pinnock and Bruce Wood -- Ombra mai fu: shades of Greece and Rome in the librettos for Handel's London operas / Peter Brown -- Handel and the uses of antiquity / Reinhard Strohm -- From Metastasio's Alessandro to Handel's Poro: a change of dramatic emphasis / Graham Cummings -- Deidamia as an "Heroi-comi-pastoral" opera / Sarah McCleave -- Seventeenth-century literary classics as eighteenth-century libretto sources: Congreve, Dryden and Milton in the 1730s and 1740s / Matthew Gardner -- "In this ballance seek a character": the role of "il moderato" in L'allegro, il penseroso ed il moderato / Ruth Smith -- "Straight mine eye hath caught new pleasures": glancing and gazing spectatorship in Handel's L'allegro, il penseroso ed il moderato / Matthew Badham -- Accompanied recitative and characterisation in Handel's oratorios / Liam Gorry -- Handel, Charles Jennens and the advent of scriptural oratorio / John H. Roberts. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Opera |z England |y 17th century. | |
| 650 | 0 | |a Opera |z England |y 18th century. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Opera |2 fast | |
| 651 | 7 | |a England |2 fast | |
| 648 | 7 | |a 1600-1799 |2 fast | |
| 700 | 1 | |a Timms, Colin, |e editor. | |
| 700 | 1 | |a Wood, Bruce, |d 1945- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Music in the London theatre from Purcell to Handel. |d Cambridge, United Kingdom : Cambridge University Press, 2017 |z 1107154642 |z 9781107154643 |w (OCoLC)957240825 |
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