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Expressionism and Film.
Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it capt...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, IN :
John Libbey Publishing,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kurtz, Rudolf, |d 1884-1960. | |
| 245 | 1 | 0 | |a Expressionism and Film. |
| 260 | |a Bloomington, IN : |b John Libbey Publishing, |c 2016. | ||
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| 505 | 0 | |a Cover; EXPRESSIONISM AND FILM; Title; Copyright; Forweord; CONTENTS; The Meaning of Expressionism; World View; 1 Art; Literature; Visual Arts; Comparisons; Sculpture; Architecture; Music; Stage; Applied Arts; 2 Film and Expressionism; Set Design; Technology; Camera; Lighting; 3 The Expressionist Film; Caligari; From Morn till Midnight; Genuine; The House on the Moon; Raskolnikow; Waxworks; Expressionist Elements in Film; 4 Abstract Art; Viking Eggeling; Hans Richter; Walter Ruttmann; Fernand Léger; Fernand Picabia; 5 Style in Expressionist Film; Direction; Script; Actors; Set Designers. | |
| 505 | 8 | |a 6 Limitations of the Expressionist Film7 Perspectives; Afterword; List of Illustrations; Index. | |
| 520 | |a Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion'as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil. | ||
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