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Metanarrative functions of film genre in Kenneth Branagh's Shakespeare films : strange bedfellows /
Kenneth Branagh is the most important contemporary figure in the production of filmed Shakespeare. His five feature-length Shakespeare films both created and represented the explosion of filmed Shakespeare adaptations that began in the 1990s. This book demonstrates Branagh's appeal to classical...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | EBSCO_ocn987252898 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
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| 100 | 1 | |a Maerz, Jessica M., |e author. | |
| 245 | 1 | 0 | |a Metanarrative functions of film genre in Kenneth Branagh's Shakespeare films : |b strange bedfellows / |c by Jessica M. Maerz. |
| 264 | 1 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2017. | |
| 300 | |a 1 online resource (vi, 144 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 131-142) and index. | ||
| 505 | 0 | |a Introduction : Generic Shakespeare -- Chapter one : Henry V's body generic : picturing the king -- Chapter two : Much ado about genre : Branagh's screwball Shakespeare -- Chapter three : Swing time : Love's labour's lost and Branagh's Broadway melodies -- Conclusion : Don't call it a comeback : Branagh's As you like it. | |
| 520 | 8 | |a Kenneth Branagh is the most important contemporary figure in the production of filmed Shakespeare. His five feature-length Shakespeare films both created and represented the explosion of filmed Shakespeare adaptations that began in the 1990s. This book demonstrates Branagh's appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original; it examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Branagh, Kenneth |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Film adaptations. |
| 600 | 1 | 7 | |a Branagh, Kenneth. |2 fast |0 (OCoLC)fst00238172 |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 650 | 7 | |a Film, TV & radio. |2 bicssc | |
| 650 | 7 | |a Literature & literary studies. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Film adaptations. |2 fast |0 (OCoLC)fst01710491 | |
| 776 | 0 | 8 | |i Print version: |a Maerz, Jessica M. |t Metanarrative functions of film genre in Kenneth Branagh's Shakespeare films. |d Newcastle upon Tyne : Cambridge Scholars Publishing, 2017 |z 144381265X |w (OCoLC)978915634 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1517775 |z Texto completo |
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