Shakespeare, music and performance /

This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Barclay, Bill (Editor ), Lindley, David (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2017.
Temas:
Shakespeare, William, > 1564-1616 > Stage history.
Shakespeare, William, > 1564-1616
English drama > History and criticism.
Music and literature.
Théâtre anglais > Histoire et critique.
Musique et littérature.
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
English drama
Music and literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover ; Half-title page; Title page; Copyright page; Contents; List of Illustrations, Tables and Music Examples; List of Contributors; Acknowledgements; Introduction; Chapter 1 Theatre Bands and Their Music in Shakespeare's London; Chapter 2 The Many Performance Spaces for Music at Jacobean Indoor Playhouses; Chapter 3 In Practice I: Original Practices and Historical Music in the Globe's London and Broadway Productions of Twelfth Night and Richard III; Chapter 4 Ophelia's Songspace: Élite Female Musical Performance and Propriety on the Elizabethan and Jacobean Stage.
  • Chapter 5 Jangling Bells Inside and Outside the PlayhouseChapter 6 Music, Its Histories, and Shakespearean (Inter- ) Theatricality in Beaumont's: Knight of the Burning Pestle; Chapter 7 Changing Musical Practices in the Shakespearean Playhouse, 1620-42; Chapter 8 In Practice II: Adapting a Restoration Adaptation
  • The Tempest, or the Enchanted Island; Chapter 9 The Reception and Re-Use of Thomas Arne's Shakespeare Songs of 1740-1; Chapter 10 Processing with Shakespeare on the Eighteenth-Century London Stage; Chapter 11 The Music for Henry V in Victorian Productions by Kean and Calvert.
  • Chapter 12 In Practice III: Listening to the Pictures
  • an Interview with Composer Stephen WarbeckChapter 13 Film, Music and Shakespeare: Walton and Shostakovich; Chapter 14 Music in Contemporary Shakespearean Cinema; Chapter 15 The Politics of Popular Music in Contemporary Shakespearean Performance; Chapter 16 In Practice IV: 'Sounds Like'
  • Making Music on Shakespeare's Stage Today; Chapter 17 Music in the 2012 Globe-to-Globe Festival; Index.

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