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Shakespeare, music and performance /
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 050 | 4 | |a ML80.S5 | |
| 072 | 7 | |a MUS |x 042000 |2 bisacsh | |
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| 245 | 0 | 0 | |a Shakespeare, music and performance / |c edited by Bill Barclay, David Lindley. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2017. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed April 17, 2017). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover ; Half-title page; Title page; Copyright page; Contents; List of Illustrations, Tables and Music Examples; List of Contributors; Acknowledgements; Introduction; Chapter 1 Theatre Bands and Their Music in Shakespeare's London; Chapter 2 The Many Performance Spaces for Music at Jacobean Indoor Playhouses; Chapter 3 In Practice I: Original Practices and Historical Music in the Globe's London and Broadway Productions of Twelfth Night and Richard III; Chapter 4 Ophelia's Songspace: Élite Female Musical Performance and Propriety on the Elizabethan and Jacobean Stage. | |
| 505 | 8 | |a Chapter 5 Jangling Bells Inside and Outside the PlayhouseChapter 6 Music, Its Histories, and Shakespearean (Inter- ) Theatricality in Beaumont's: Knight of the Burning Pestle; Chapter 7 Changing Musical Practices in the Shakespearean Playhouse, 1620-42; Chapter 8 In Practice II: Adapting a Restoration Adaptation -- The Tempest, or the Enchanted Island; Chapter 9 The Reception and Re-Use of Thomas Arne's Shakespeare Songs of 1740-1; Chapter 10 Processing with Shakespeare on the Eighteenth-Century London Stage; Chapter 11 The Music for Henry V in Victorian Productions by Kean and Calvert. | |
| 505 | 8 | |a Chapter 12 In Practice III: Listening to the Pictures -- an Interview with Composer Stephen WarbeckChapter 13 Film, Music and Shakespeare: Walton and Shostakovich; Chapter 14 Music in Contemporary Shakespearean Cinema; Chapter 15 The Politics of Popular Music in Contemporary Shakespearean Performance; Chapter 16 In Practice IV: 'Sounds Like' -- Making Music on Shakespeare's Stage Today; Chapter 17 Music in the 2012 Globe-to-Globe Festival; Index. | |
| 520 | |a This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a English drama |x History and criticism. | |
| 650 | 0 | |a Music and literature. | |
| 650 | 6 | |a Théâtre anglais |x Histoire et critique. | |
| 650 | 6 | |a Musique et littérature. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a Music and literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Barclay, Bill, |e editor. | |
| 700 | 1 | |a Lindley, David, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Shakespeare, music and performance. |d Cambridge : Cambridge University Press, 2017 |z 1107139333 |z 9781107139336 |w (OCoLC)964292542 |
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