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How Robert Frost made realism matter /
Robert Frost stood at the intersection of nineteenth-century romanticism and twentieth-century modernism and made both his own. Frost adapted the genteel values and techniques of nineteenth-century poetry, but Barron argues that it was his commitment to realism that gave him popular as well as schol...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbia :
University of Missouri Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The world that made Robert Frost : the genteels, their values, and their publications
- Realism and genteel publishing
- An intellectual finds his way : Robert Frost goes to school
- Robert Frost, realism, poetry, and American publishing of the 1890s : "My butterfly : an elegy," "The birds do thus"
- Discovering realism : Frost, 1897-99
- Robert Frost's poetry of ideas, 1906-8 : "Trial by existence," "The lost faith," "A line-storm song," and "Across the Atlantic"
- Robert Frost's new poetic realism, 1909-10 : "Into mine own," "The flower boat"
- Coming into his own : Robert Frost, 1910-12 : "Reluctance"
- Robert Frost in England : A boy's will
- Robert Frost : public poet at last : "The death of the hired man"
- Inventing a new poetry : "A hundred collars," "The fear"
- Robert Frost, a realist in the magazines of modernism : "The housekeeper" and "The code"
- Poet of the new American poetry : North of Boston, "Putting in the seed"
- The American magazines of 1915 and the making of Robert Frost.