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Filipinas Everywhere - Essays in Criticism and Cultural Studies from a Filipino Perspective.

"E. San Juan's critique seizes the crisis in neocolonial Philippines as a point of intervention. As current Philippine President Duterte's timely war on drugs and corruption rages, E. San Juan highlights the facticity that Filipinos are once more confronted with the barbaric legacy of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Juan, E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Place of publication not identified] : International Specialized Book Services : Sussex Academic Press, 2017.
Colección:Critical voices (Brighton, England)
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Filipinas Everywhere - Essays in Criticism and Cultural Studies from a Filipino Perspective. 
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505 0 |a Cover; Title Page; Copyright Page; Contents; Acknowledgements; Introduction; 1 Filipinas Everywhere: Colonialism, Neocolonial Domination, and Imperial Terror; 2 Globalization and its Vicissitudes; 3 Postcolonialism, Uneven Development, Imperialism; 4 Critique and Praxis: Edward Said and Antonio Gramsci; 5 Pragmaticism and Marxism: Project for a Dialogue; 6 Saussure/Peirce: Escaping from the Prison House of Language; 7 Kafka and Torture; 8 History, Ideology, Utopia: On Photography in Late Capitalism; References; About the Author; About Sussex Academic Press. 
504 |a Includes bibliographical references. 
520 |a "E. San Juan's critique seizes the crisis in neocolonial Philippines as a point of intervention. As current Philippine President Duterte's timely war on drugs and corruption rages, E. San Juan highlights the facticity that Filipinos are once more confronted with the barbaric legacy of U.S. domination, legitimized today as 'civilizing' humanitarianism. This wide-ranging discourse by a Filipino radical scholar interrogates the apologetic use of postcolonial dogmas, Saussurean semiology versus Peircean semiotics, Kafka's allegory on torture, Edward Said's use of Gramsci, and the postconceptual view of photography. Overall, the author seeks to deploy a historical-materialist perspective in elucidating the dialectical interplay of contradictory forces symbolized in art and diverse cultural texts. In the process, he delineates the contexts of events with the end view of generating revolutionary transformations in the Asian-Pacific islands marked by the prevalence of U.S. imperial hegemony in the global system."--Provided by publisher. 
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