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EBSCO_ocn978295709 |
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OCoLC |
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|a (OCoLC)978295709
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|z (OCoLC)1124526301
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|a pcc
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|a ML3918.P67
|b B69 2017
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|a MUS
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|2 bisacsh
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|a 781.64
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Borschke, Margie,
|e author.
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| 245 |
1 |
0 |
|a This is not a remix :
|b piracy, authenticity and popular music /
|c Margie Borschke.
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| 264 |
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1 |
|a New York, NY :
|b Bloomsbury Academic,
|c 2017.
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| 264 |
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4 |
|c Ã2017
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| 300 |
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|a 1 online resource (vi, 186 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 505 |
0 |
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|a FC ; Half title; Title; Copyright; Contents; 1 This is not a remix; 1.1 Introduction; 1.2 Critical approach; 2 Copy, a brief history; 2.1 The ghost in the digital machine; 2.2 The trouble with media history; 2.3 "Again, back": Repetition and music's materiality; 3 The rhetoric of remix; 3.1 Remix as trope; 3.2 The extended remix: In the press; 3.3 The extended remix: Scholarly use; 3.4 Lawrence Lessig's "Remix Culture"; 3.5 Remix as resistance; 3.6 Why the history of remix matters; 4 Disco edits: Analog antecedents and network bias; 4.1 What a difference a record makes.
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|a 4.2 Interrupting the rhetoric of remix4.3 Disco edits, a technical distinction; 4.4 Hang the DJ; 4.5 Walter Gibbons, the break, and the edits that made disco; 4.6 Let your body talk; 4.7 Are samples copies?; 4.8 Parasites, pirates, and permission; 4.9 Digital revival and an analog persistence; 4.10 Credit to the edit; 5 The new romantics; 5.1 Piracy's long history; 5.2 MP3 blogs as social media; 5.3 Material media: MP3 blogs as artifacts and practices; 5.4 Provenance as metadata; 5.5 Rethinking participation and the folk aesthetic; 5.6 Countercultures and anticommercialism.
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|a 5.7 Networking authenticity5.8 Analog antecedents: Harry Smith's mystical collection; 5.9 Copies, networks, and a poetics of encounter; 6 Copies and the aesthetics of circulation; Acknowledgments; Bibliography; Index.
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| 588 |
0 |
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|a Online resource; title from digital title page (viewed on August 07, 2017).
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| 590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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| 650 |
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0 |
|a Remixes
|x History and criticism.
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| 650 |
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0 |
|a Sound recordings
|x Social aspects.
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| 650 |
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0 |
|a Popular music
|x Social aspects.
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| 650 |
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0 |
|a Music and the Internet.
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| 650 |
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6 |
|a Remix
|x Histoire et critique.
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| 650 |
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|a Musique populaire
|x Aspect social.
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| 650 |
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|a Musique et Internet.
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| 650 |
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|a Music recording & reproduction.
|2 bicssc
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| 650 |
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|a Music industry.
|2 bicssc
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| 650 |
|
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|a Music.
|2 bicssc
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| 650 |
|
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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| 650 |
|
7 |
|a Music and the Internet
|2 fast
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| 650 |
|
7 |
|a Popular music
|x Social aspects
|2 fast
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| 650 |
|
7 |
|a Remixes
|2 fast
|
| 650 |
|
7 |
|a Sound recordings
|x Social aspects
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a Borschke, Margie.
|t This is not a remix.
|d New York, NY : Bloomsbury Academic, 2017
|z 9781501318924
|w (DLC) 2017003346
|
| 856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1561430
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