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Intermediality and spectatorship in the theatre work of Robert Lepage : the solo shows /
Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon's Trilogy (...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Table of Contents; List of illustrations; Foreword; Introduction; Short Outline of International Research; The Concept of Distance in Theatre; The Remediation of Theatre; Hypothesis and Integration of Research; Chapter One; 1.1. Robert Lepage and the Québécois Context; 1.1.1. The Québécois Theatrical Context and its Development; 1.1.2. Robert Lepage's Formation; 1.1.3. The Emancipation of Québécois Theatre; 1.1.4. Théâtre Repère and the Repère/RSVP Cycles; 1.1.5. Ex Machina and its Relationship with the Québécois Identity; 1.2. Lepage's Method of Creation; Chapter Two
- 2.1. The Concept of Intermediality2.2. Intermediality and Theatre as a Medium; 2.3. Intermediality and Spectatorship in Contemporary Performance; 2.4. The Intermediality in Robert Lepage's Original Theatre Work; Chapter Three; 3.1. Audience and Spectatorship in Theatre Studies; 3.2. Spectatorship in Media Studies; 3.3. Spectatorship in Robert Lepage's Theatre Work; Chapter Four; Vinci; Needles and Opium; Elsinore; The Far Side of the Moon; The Andersen Project; Conclusion; Conclusion; Appendix A; Appendix B; Bibliography