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Intermediality and spectatorship in the theatre work of Robert Lepage : the solo shows /

Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon's Trilogy (...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Albacan, Aristita I. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Publishing, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Intermediality and spectatorship in the theatre work of Robert Lepage :  |b the solo shows /  |c by Aristita I. Albacan. 
264 1 |a Newcastle upon Tyne :  |b Cambridge Scholars Publishing,  |c 2016. 
300 |a 1 online resource (vi, 334 pages) :  |b illustrations 
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505 0 |a Table of Contents; List of illustrations; Foreword; Introduction; Short Outline of International Research; The Concept of Distance in Theatre; The Remediation of Theatre; Hypothesis and Integration of Research; Chapter One; 1.1. Robert Lepage and the Québécois Context; 1.1.1. The Québécois Theatrical Context and its Development; 1.1.2. Robert Lepage's Formation; 1.1.3. The Emancipation of Québécois Theatre; 1.1.4. Théâtre Repère and the Repère/RSVP Cycles; 1.1.5. Ex Machina and its Relationship with the Québécois Identity; 1.2. Lepage's Method of Creation; Chapter Two 
505 8 |a 2.1. The Concept of Intermediality2.2. Intermediality and Theatre as a Medium; 2.3. Intermediality and Spectatorship in Contemporary Performance; 2.4. The Intermediality in Robert Lepage's Original Theatre Work; Chapter Three; 3.1. Audience and Spectatorship in Theatre Studies; 3.2. Spectatorship in Media Studies; 3.3. Spectatorship in Robert Lepage's Theatre Work; Chapter Four; Vinci; Needles and Opium; Elsinore; The Far Side of the Moon; The Andersen Project; Conclusion; Conclusion; Appendix A; Appendix B; Bibliography 
520 |a Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon's Trilogy (1984), Lepage's work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach im. 
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