Cargando…
The polyphonic mass in France, 1600-1780 : the evidence of the printed choirbooks /
The first book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York, NY :
Cambridge University Press,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn974915096 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 170309s2017 enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDX |d EBLCP |d MERUC |d OCLCF |d IDEBK |d CSAIL |d UAB |d OTZ |d MERER |d OCLCQ |d UPM |d LGG |d OCLCA |d OCLCQ |d U3W |d OCLCQ |d INT |d AU@ |d UWO |d OCLCQ |d UKAHL |d OCLCQ |d OCLCO |d OCLCQ | ||
| 019 | |a 975412473 |a 975883568 |a 975935706 |a 976071581 |a 976088757 |a 976226215 |a 976233863 |a 978410005 |a 978507974 |a 978522931 |a 978736586 |a 979164025 |a 980981660 |a 981992161 |a 982226562 |a 982328782 |a 982415831 |a 982501292 |a 982740754 |a 985958275 |a 988082293 |a 990410775 |a 992467667 |a 995619438 |a 1001349548 |a 1003206740 |a 1004969727 |a 1007725986 |a 1013728549 |a 1016985440 |a 1021401405 |a 1024159895 |a 1028906424 |a 1030779604 |a 1032681655 |a 1036710129 | ||
| 020 | |a 9781316838501 |q (electronic bk.) | ||
| 020 | |a 1316838501 |q (electronic bk.) | ||
| 020 | |a 9781316836972 | ||
| 020 | |a 1316836975 | ||
| 020 | |a 9781316837993 | ||
| 020 | |a 1316837998 | ||
| 020 | |a 9781316823002 | ||
| 020 | |a 1316823008 | ||
| 020 | |z 110717774X | ||
| 020 | |z 9781107177741 | ||
| 020 | |z 1316835952 | ||
| 029 | 1 | |a AU@ |b 000059986034 | |
| 035 | |a (OCoLC)974915096 |z (OCoLC)975412473 |z (OCoLC)975883568 |z (OCoLC)975935706 |z (OCoLC)976071581 |z (OCoLC)976088757 |z (OCoLC)976226215 |z (OCoLC)976233863 |z (OCoLC)978410005 |z (OCoLC)978507974 |z (OCoLC)978522931 |z (OCoLC)978736586 |z (OCoLC)979164025 |z (OCoLC)980981660 |z (OCoLC)981992161 |z (OCoLC)982226562 |z (OCoLC)982328782 |z (OCoLC)982415831 |z (OCoLC)982501292 |z (OCoLC)982740754 |z (OCoLC)985958275 |z (OCoLC)988082293 |z (OCoLC)990410775 |z (OCoLC)992467667 |z (OCoLC)995619438 |z (OCoLC)1001349548 |z (OCoLC)1003206740 |z (OCoLC)1004969727 |z (OCoLC)1007725986 |z (OCoLC)1013728549 |z (OCoLC)1016985440 |z (OCoLC)1021401405 |z (OCoLC)1024159895 |z (OCoLC)1028906424 |z (OCoLC)1030779604 |z (OCoLC)1032681655 |z (OCoLC)1036710129 | ||
| 037 | |a 1000451 |b MIL | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a ML3088 |b .M65 2017 | |
| 072 | 7 | |a MUS |x 042000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 052000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 037110 |2 bisacsh | |
| 082 | 0 | 4 | |a 782.32/32094409032 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Montagnier, Jean-Paul, |e author. | |
| 245 | 1 | 4 | |a The polyphonic mass in France, 1600-1780 : |b the evidence of the printed choirbooks / |c Jean-Paul C. Montagnier. |
| 264 | 1 | |a Cambridge ; |a New York, NY : |b Cambridge University Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; List of tables; List of Musical Examples; Foreword; Preface; Acknowledgments; List of abbreviations; Introduction; 1 Printed Choirbooks; Ballard and the Choirbook Market; The End of a Tradition; Choirbook Material Aspects; Page Layout; Ballard Typefaces; Figured Bass; 2 Choirbooks and Musical Practice; The Use of Instruments; A Hidden Polychorality? A Hidden Orchestra?; The Choirbook as Archetype and the a cappella Style; Choirbook vs. Partbook; A Cappella Masses? | |
| 505 | 8 | |a Choirbooks and Boys' Training3 People and Networks; Composers; Social Origins; Geographical Origins; Networks; Publishers and Composers; Patrons; Letters of Dedication; Circulation; Retail Purchase; Donation; Subscription; 4 Music and Liturgy; Mass Titles; Secular Titles; Latin Titles; Liturgical Rites and Calendars; Rites; Liturgical Calendars; Mass Settings into Practice; Length of the Service; Number of Voices; Taste and Fashion; "Musicalizing" the Celebrant's Actions with Dignity; Liturgical Gestures and Music; The Elevation and the King's Prayer; 5 Lassus as Model; Lassus as Model. | |
| 505 | 8 | |a TextureHarmony; Overall Form; Le Jeune and Du Caurroy; Stile Antico?; 6 Stylistic Considerations; A Soft Transition from the Renaissance; Overall Forms; Kyrie, Gloria, Sanctus and Agnus Dei; Credo; Head-Motifs; Contrapuntal and Note-Against-Note Fabrics; "Cum Sancto Spiritu" and "Et vitam venturi"; Cantus Firmi; Time Signatures and Tempo Indications; Ternary Meters; Tempo Indications; Modality and Tonality; Common Musical Devices; 7 Two Best Sellers; Cosset's Missa Gaudeamus omnes: a Pedagogical Paragon; First Step to Composition; Kyrie, Sanctus and Agnus Dei; Gloria and Credo. | |
| 505 | 8 | |a Texture and Harmonic PlanA Model to Emulate: Campra's Missa Ad majorem Dei gloriam; Formal Design; Ternary Meters; Dramatic Effects; Italy; A Classic to be Emulated; 8 Missa pro defunctis; Rites; Offertory; Intonations; Absolution Responsories and Other Additional Items; Formularies for the Dead; Recipients; Music; Plainchant; In the Wake of the Late Renaissance; Rhythmic Pace, Harmonic Plan and Form; Additional Items; Conclusion; Appendixes; Note on Appendixes; Appendix 1: The Corpus; Appendix 2: Printed Partbooks; Appendix 3: Manuscript Scores and Parts. | |
| 505 | 8 | |a Appendix 4: Seventeenth- and Eighteenth-Century Handwritten Arrangements of Masses Printed in Choirbook LayoutAppendix 5: Chronology of the Ballard Choirbooks; Select Bibliography; Primary Sources; Secondary Literature; Scholarly Musical Editions; Index. | |
| 520 | |a The first book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Mass (Music) |z France |y 17th century. | |
| 650 | 0 | |a Mass (Music) |z France |y 18th century. | |
| 650 | 6 | |a Messe (Musique) |z France |y 17e siècle. | |
| 650 | 6 | |a Messe (Musique) |z France |y 18e siècle. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Mass (Music) |2 fast |0 (OCoLC)fst01011204 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 650 | 7 | |a Messvertonung |2 gnd | |
| 651 | 7 | |a Frankreich |2 gnd | |
| 648 | 7 | |a 1600-1799 |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Montagnier, Jean-Paul. |t Polyphonic mass in France, 1600-1780. |d Cambridge ; New York, NY : Cambridge University Press, 2016 |z 9781107177741 |w (DLC) 2016050608 |w (OCoLC)960841635 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1475827 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33405216 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32562411 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32070528 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4812333 | ||
| 938 | |a EBSCOhost |b EBSC |n 1475827 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37763664 | ||
| 938 | |a YBP Library Services |b YANK |n 13633987 | ||
| 938 | |a YBP Library Services |b YANK |n 13669722 | ||
| 938 | |a YBP Library Services |b YANK |n 13972536 | ||
| 994 | |a 92 |b IZTAP | ||