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Cosmos and community in early medieval art /
"In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and estab...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Haven :
Yale University Press,
[2017]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | EBSCO_ocn971018868 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
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| 100 | 1 | |a Anderson, Benjamin, |e author. | |
| 245 | 1 | 0 | |a Cosmos and community in early medieval art / |c Benjamin Anderson. |
| 264 | 1 | |a New Haven : |b Yale University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (203 pages) : |b 77 illustrations (chiefly color), plans | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 2, 2017). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: solitude and community -- 1. Tyranny and splendor -- 2. Declaration and transaction -- 3. Carolingian consensus -- 4. Byzantine dissensus -- Conclusion. | |
| 520 | 8 | |a "In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, [it] illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history."--Jacket flap. | |
| 546 | |a In English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art, Medieval |x European influences. | |
| 650 | 0 | |a Art, Medieval |x Byzantine influences. | |
| 650 | 0 | |a Art, Medieval |x Islamic influences. | |
| 650 | 6 | |a Art médiéval |x Influence européenne. | |
| 650 | 6 | |a Art médiéval |x Influence byzantine. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Art, Medieval |x Byzantine influences |2 fast | |
| 650 | 7 | |a Art, Medieval |x Islamic influences |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Anderson, Benjamin. |t Cosmos and community in early medieval art |z 0300219164 |w (DLC) 2016933954 |w (OCoLC)954224102 |
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