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Performing femininity : woman as performer in early Russian cinema /
From Oriental dancers to ballerinas and opera singers, the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From Romashkov's Stenka Razin (1908), to Viskovsky's The Last Tango (1918), the female performer remains central. In this groundbreaking new st...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York, NY :
I.B. Tauris & Co. Ltd,
2017.
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| Colección: | KINO, the Russian and Soviet cinema series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Morley, Rachel, |e author. | |
| 245 | 1 | 0 | |a Performing femininity : |b woman as performer in early Russian cinema / |c Rachel Morley. |
| 264 | 1 | |a London ; |a New York, NY : |b I.B. Tauris & Co. Ltd, |c 2017. | |
| 300 | |a 1 online resource (xv, 288 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a KINO: the Russian and Soviet Cinema Series | |
| 520 | 8 | |a From Oriental dancers to ballerinas and opera singers, the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From Romashkov's Stenka Razin (1908), to Viskovsky's The Last Tango (1918), the female performer remains central. In this groundbreaking new study, Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers used this archetype of femininity to experiment and develop a unique cinematic language. | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of illustrations -- General editors' preface -- Acknowledgements -- Note on transliteration -- Introduction -- The Oriental dancer -- The peasant girl and the Boyar's ward -- The opera singer -- From the Oriental dancer to the tango-woman -- The Gypsy dancer -- From the ballerina to the early modern dancer -- The actress -- Conclusion -- Coda -- Notes -- Bibliography -- Filmography -- Index. | |
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| 650 | 0 | |a Motion pictures |z Russia (Federation) | |
| 650 | 0 | |a Women in motion pictures. | |
| 650 | 0 | |a Motion pictures and women |z Russia. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 6 | |a Cinéma et femmes |z Russie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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| 650 | 7 | |a Motion pictures and women |2 fast | |
| 650 | 7 | |a Women in motion pictures |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 651 | 7 | |a Russia (Federation) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Morley, Rachel. |t Performing femininity. |d London ; New York, NY : I.B. Tauris & Co. Ltd, 2017 |z 9781784531591 |w (OCoLC)968326301 |
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