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Jean Epstein /

"If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concept...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wall-Romana, Christophe (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2013.
Colección:French film directors.
Temas:
Acceso en línea:Texto completo

MARC

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504 |a Includes bibliographical references, filmography (pages 201-216), and index. 
505 0 |a Introduction : Epstein at the crossroads -- From literary modernism to photogenie -- Avant-garde working-class melodramas -- Technology, embodiment, and homosexuality -- Brittany, the edge of the modern world -- Documentaries and sound films -- 'A young Spinoza' : Epstein's philosophy of the cinema -- Conclusion : Epstein as pioneer of corporeal cinema. 
520 8 |a "If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein's pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively. An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres - melodramas and documentaries - he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography - as photogénie - towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion."--Publisher's website. 
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