|
|
|
|
LEADER |
00000cam a2200000Mi 4500 |
001 |
EBSCO_ocn967261318 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
130918s2014 nyuag fob 001 0 eng d |
040 |
|
|
|a STBDS
|b eng
|e rda
|e pn
|c STBDS
|d OCLCF
|d OCLCO
|d BUF
|d CEF
|d WYU
|d STF
|d YOU
|d OCLCQ
|d SFB
|d OCLCO
|d OCLCQ
|
019 |
|
|
|a 881141512
|a 1065696499
|a 1298465101
|
020 |
|
|
|a 9780199345007
|q (ebook)
|
020 |
|
|
|a 0199345007
|
020 |
|
|
|z 9780199736119
|q (hardback)
|
020 |
|
|
|z 0199736111
|
035 |
|
|
|a (OCoLC)967261318
|z (OCoLC)881141512
|z (OCoLC)1065696499
|z (OCoLC)1298465101
|
043 |
|
|
|a e-gx---
|
050 |
|
4 |
|a ML1729.4
|b .G43 2014
|
082 |
0 |
4 |
|a 781.5520943
|2 23
|
084 |
|
|
|a J605.516
|2 clc
|
084 |
|
|
|a 780
|q DE-101
|2 sdnb
|
084 |
|
|
|a 9,2
|2 ssgn
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Geary, Jason,
|e author.
|
245 |
1 |
4 |
|a The politics of appropriation :
|b German romantic music and the ancient Greek legacy /
|c Jason Geary.
|
264 |
|
1 |
|a New York :
|b Oxford University Press,
|c 2014.
|
300 |
|
|
|a 1 online resource :
|b illustrations (black and white), music
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
336 |
|
|
|a still image
|b sti
|2 rdacontent
|
336 |
|
|
|a notated music
|b ntm
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a The new cultural history of music
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
8 |
|
|a This text explores the intersection of music and Hellenism in 19th-century Germany. It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity.
|
588 |
0 |
|
|a Online resource; title from home page (viewed on February 28, 2014).
|
505 |
0 |
|
|a Ancient Greece and the German cultural imagination -- Mendelssohn's Antigone and the rebirth of Greek tragedy -- The reception of Antigone and the aesthetics of appropriation -- The growth of a genre : Taubert's Medea and the Greek stage revival in Berlin -- Mendelssohn and Oedipus in the age of Chistianity -- Lachner and the emergence of a new Athens -- The Wagnerian turn -- Epilogue : the decline of a genre.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Dramatic music
|z Germany
|y 19th century
|x History and criticism.
|
650 |
|
0 |
|a Greek drama (Tragedy)
|x Appreciation
|z Germany.
|
650 |
|
6 |
|a Musique de scène
|z Allemagne
|y 19e siècle
|x Histoire et critique.
|
650 |
|
6 |
|a Tragédie grecque
|x Appréciation
|z Allemagne.
|
650 |
|
7 |
|a Dramatic music.
|2 fast
|0 (OCoLC)fst00897546
|
650 |
|
7 |
|a Greek drama (Tragedy)
|x Appreciation.
|2 fast
|0 (OCoLC)fst00947147
|
651 |
|
7 |
|a Germany.
|2 fast
|0 (OCoLC)fst01210272
|
648 |
|
7 |
|a 1800-1899
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version :
|z 9780199736119
|
830 |
|
0 |
|a New cultural history of music.
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=683207
|z Texto completo
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n EDZ0000210112
|
994 |
|
|
|a 92
|b IZTAP
|