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The Pool Group and the Quest for Anthropological Universality : the Humane Images of Modernism.
Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, wh...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin/Boston :
De Gruyter,
2017.
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| Colección: | Buchreihe der Anglia / Anglia Book Series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Schlun, Betsy van. | |
| 245 | 1 | 4 | |a The Pool Group and the Quest for Anthropological Universality : |b the Humane Images of Modernism. |
| 260 | |a Berlin/Boston : |b De Gruyter, |c 2017. | ||
| 300 | |a 1 online resource (476 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Buchreihe der Anglia / Anglia Book Series ; |v v. 55 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of Illustrations ; Acknowledgements ; 1 Introduction ; 1.1 The Pool Group: Its Formation, Financing, and Avant-garde Lifestyle ; 1.2 A New Humane and Universal Art ; 1.3 State of Research on Pool ; Part I Theory The Spirit of the Quest. | |
| 505 | 8 | |a 2 The Autonomy and the Necessity of Art 2.1 The Autonomy of Art ; 2.1.1 Bourdieu's Theory of the Literary Field ; 2.1.2 The Literary and Artistic Field of Twentieth-Century Modernism ; 2.1.3 The Pool Members' Positioning within the Literary and Artistic Field of Modernism. | |
| 505 | 8 | |a 2.1.4 Pool's Attempt to Unite Avant-garde Aesthetics and 'Pure' Art with 'Popular' Culture 2.2 The Necessity of Art ; 2.2.1 The Idea of Art as a Human Necessity throughout History ; 2.2.2 Eibl's Poetical Animal and the Biological Need of the Human for Art. | |
| 505 | 8 | |a 2.2.3 The Importance of Nature and Biology for Pool and Their Art Part II Technique and Style Towards a Universal Language of Art ; 3 A Language Composed of Images and E/motion ; 3.1 Montage & Metaphor and the Stream of Narrative ; 3.2 Eisenstein and Cinematographic Metaphor. | |
| 505 | 8 | |a 3.2.1 Eisenstein's Collective Language of Emotion 3.2.2 Intellectual Film: Eisenstein's Dialectical Language for the Masses ; 3.3 Imagism ; 3.3.1 Ezra Pound and the Clear, Objective Image ; 3.3.2 H.D.'s Ascetic Metaphors & Mythopoetic Montages. | |
| 505 | 8 | |a 3.4 Collage and Photomontage -- Pool's Scrapbook and Art for the Sake of It: Playing with the Language of Human Psychology, Art and Film Technique. | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 520 | |a Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture. Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology. | ||
| 546 | |a In English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 610 | 2 | 0 | |a Groupe Pool. |
| 610 | 2 | 7 | |a Groupe Pool |2 fast |
| 650 | 0 | |a Humanity in art. | |
| 650 | 0 | |a Arts, Modern |y 20th century |x Themes, motives. | |
| 650 | 6 | |a Arts |y 20e siècle |x Thèmes, motifs. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Arts, Modern |x Themes, motives |2 fast | |
| 650 | 7 | |a Humanity in art |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Modernism. | ||
| 653 | |a anthropological universality. | ||
| 653 | |a avant-garde art. | ||
| 653 | |a film. | ||
| 776 | 0 | 8 | |i Print version: |a Schlun, Betsy van. |t Pool Group and the Quest for Anthropological Universality : The Humane Images of Modernism. |d Berlin/Boston : De Gruyter, ©2017 |z 9783110439212 |
| 830 | 0 | |a Buchreihe der Anglia / Anglia Book Series. | |
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