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EBSCO_ocn966183682 |
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OCoLC |
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20231017213018.0 |
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161208s2016 nyu ob 001 0 eng d |
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|a 965543490
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|a 9781316876701
|q (electronic bk.)
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|a 1316876705
|q (electronic bk.)
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|z 9780521877664
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|z 0521877660
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|a CHNEW
|b 000913052
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|a (OCoLC)966183682
|z (OCoLC)965543490
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|a n-us---
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|a KF2979
|b .B66 2016eb
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|a LAW
|x 001000
|2 bisacsh
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|a 346.7304/809034
|2 23
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|a UAMI
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|a Bracha, Oren,
|e author.
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1 |
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|a Owning ideas :
|b the intellectual origins of American intellectual property, 1790-1909 /
|c Oren Bracha.
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|a New York :
|b Cambridge University Press,
|c 2016.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cambridge historical studies in American law and society
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|a "Owning Ideas is a comprehensive account of the emergence of the concept of intellectual property in the United States during the long nineteenth century. In the modern information era, intellectual property has become a central economic and cultural phenomenon and an important lever for allocating wealth and power. This book uncovers the intellectual origins of this modern concept of private property in ideas through a close study of its emergence within the two most important areas of this field: patent and copyright. By placing the development of legal concepts within their social context, this study reconstructs the radical transformation of the idea. Our modern notion of owning ideas, it argues, came into being when the ideals of eighteenth-century possessive individualism at the heart of early patent and copyright were subjected to the forces and ideology of late-nineteenth-century corporate liberalism"--
|c Provided by publisher.
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|a Includes bibliographical references and index.
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0 |
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|a Online resource; title from PDF title page (EBSCO, viewed December 9, 2016).
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|a Cover; Half-title ; Series information ; Title page ; Copyright information ; Table of contents ; Acknowledgments ; Introduction ; 1 The Origins of the American Intellectual Property Regime ; Intellectual Property: Rights in Intangibles ; Patents: English Origins.
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|a Colonial and State Patents Copyright: English Origins ; Colonial and State Copyright ; The Intellectual Property Constitutional Clause ; 2 The Rise and Fall of Authorship-Based Copyright ; The Shift to Authorship-Based Copyright ; The Mechanic and the Author: Originality as Novelty.
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|a Creative Genius and Mere Industry: Originality as Creativity Mere Spectacles and Vulgar Songs ; Valere Quantum Valere Potest ; After All It Was the Sun Which Drew the Picture ; The Romantic Author in the Liberal Market ; The Supreme Court Says They Are All Right.
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|a Personality Always Contains Something Unique: The Ideology of Originality Where Authorship Proper Ends and Mere Annals Begin ; As Much Right as an Author: Authorship Universalized ; 3 Objects of Property: Owning Intellectual Works.
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|a The Sculptor Seldom Touches the Marble: Authors as Owners? A Literary Property Battle Redux: Wheaton v. Peters ; This Is What the Law Terms ''Copy'' ; The Abridgment Swindle, American Edition ; That Which Constitutes the Essence and Value of Literary Composition: Intellectual Commodities.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Intellectual property
|z United States
|x History.
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650 |
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0 |
|a Copyright
|z United States
|x History.
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650 |
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|a Propriété intellectuelle
|z États-Unis
|x Histoire.
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650 |
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7 |
|a LAW
|x Administrative Law & Regulatory Practice.
|2 bisacsh
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650 |
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|a Copyright
|2 fast
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650 |
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|a Intellectual property
|2 fast
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|a United States
|2 fast
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655 |
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|a History
|2 fast
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830 |
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|a Cambridge historical studies in American law and society.
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856 |
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