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Made in oceania : proceedings of the international symposium on social and cultural meanings and presentation of oceanic tapa (1).
Both anthropologists and conservation scientists are fascinated by Oceanic barkcloth, or tapa, as it is known by its generic Polynesian term. Historic tapa designs are often living cultural heritage, but today's objects also combine content, form and tradition in new ways and are intimately con...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Cambridge Scholars Publis,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Made in oceania : |b proceedings of the international symposium on social and cultural meanings and presentation of oceanic tapa (1). |
| 260 | |a [Place of publication not identified] : |b Cambridge Scholars Publis, |c 2015. | ||
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| 504 | |a Includes bibliographical references (pages 157-166). | ||
| 520 | |a Both anthropologists and conservation scientists are fascinated by Oceanic barkcloth, or tapa, as it is known by its generic Polynesian term. Historic tapa designs are often living cultural heritage, but today's objects also combine content, form and tradition in new ways and are intimately connected with the social and cultural identity of individuals, groups, and even nations. With tapa being completely alien to European traditions, conservation scientists are challenged by the material and its restoration and preservation. Questions of adequate presentation in exhibitions touch upon both di. | ||
| 505 | 0 | 0 | |t Culture, conservation and creativity: two centuries of Polynesian barkcloth / |r Adrienne Kaeppler -- |t Dynamics of barkcloth and identity among the Maisin of Papua New Guinea / |r Anna-Karina Hermkens -- |t Pitcairn tapa: unveiling the lives of the Bounty women / |r Pauline Reynolds -- |t / |r Fanny Wonu Veys -- |t Nimameaʹa koka ʻanga: the fine art of Tongan ngatu or barkcloth making / |r Kolokesa Māhina-Tuai -- |t Following tapa: new contexts and global culture / |r Sean Mallon -- |t A Fijian barkcloth in Cologne: embodying relationships Past and Present / |r Steven Hooper, Petra Czwerwinske, Sarah Fründt and Joni Madraiwiwi -- |t Before the opening: aspects of conservation and installation / |r Robin Bastian, Sephanie Lüerssen and Regina Klee -- |t Barkcloths in the Worldmuseum Vienna / |r Roswitha Zobl -- |t An introduction to the conservation of barkcloth at the British Museum / |r Monique Pullan -- |t Identification of oil on Hawaiian barkcloths and their treatment: looking for the suitable adhesive / |r Anne-Claire de Poulpiquet. |
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| 650 | 0 | |a Tapa |z Oceania |v Congresses. | |
| 650 | 6 | |a Tapa |z Océanie |v Congrès. | |
| 650 | 7 | |a DESIGN |x Textile & Costume. |2 bisacsh | |
| 650 | 7 | |a Tapa |2 fast | |
| 651 | 7 | |a Oceania |2 fast | |
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| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Mesenhöller, Peter. |t Made in Oceania : Proceedings of the International Symposium on Social and Cultural Meanings and Presentation of Oceanic Tapa. |d Newcastle-upon-Tyne : Cambridge Scholars Publishing, ©2015 |
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