|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
EBSCO_ocn965196739 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
161205s2017 nyu o 000 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d YDX
|d IDEBK
|d TYFRS
|d UAB
|d MERUC
|d OCLCQ
|d U3W
|d OCLCF
|d OCLCO
|d OCLCQ
|d AU@
|d UKAHL
|d OCLCQ
|d K6U
|d OCLCO
|d OCLCQ
|d KSU
|d OCLCQ
|d SFB
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 965493286
|a 965716153
|a 965734651
|a 967189466
|a 1049859304
|
020 |
|
|
|a 9781317295518
|q (electronic bk.)
|
020 |
|
|
|a 131729551X
|q (electronic bk.)
|
020 |
|
|
|z 9781138182042
|
020 |
|
|
|z 1138182044
|
020 |
|
|
|z 9781138218734
|
020 |
|
|
|z 1138218731
|
024 |
8 |
|
|a 99971753905
|
035 |
|
|
|a (OCoLC)965196739
|z (OCoLC)965493286
|z (OCoLC)965716153
|z (OCoLC)965734651
|z (OCoLC)967189466
|z (OCoLC)1049859304
|
037 |
|
|
|a 974240
|b MIL
|
050 |
|
4 |
|a ML3790
|b .H492 2017eb
|
072 |
|
7 |
|a MUS
|x 041000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.49
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Hepworth-Sawyer, Russ,
|e author.
|
245 |
1 |
0 |
|a Mixing music /
|c Russ Hepworth-Sawyer & Jay Hodgson.
|
264 |
|
1 |
|a New York ;
|a London :
|b Routledge,
|c 2017.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Perspectives on music production
|
505 |
0 |
|
|a Exploring of the mix: historical milestones and expanded perspectives -- How to listen, what to hear -- Proxemic interaction in popular music recordings -- Top down mixing -- a 12-step mixing programme -- Mixing in the box -- Audio editing in/and mixing -- Pre-production in mixing: mixing in pre-production -- Between speakers: discussions on mixing : mixing for markets : mixing in/and modern electronic music production -- Groove and the grid: mixing contemporary hip hop -- The mix is, the mix is not -- Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing -- Mix as auditory response -- An intelligent systems approach to mixing multitrack audio -- How can academic practice inform mix-craft? -- The dreaded mix sign-off: handing over to mastering -- Conclusion: mixing as part-history, part-present and part-future.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Popular music
|x Production and direction.
|
650 |
|
0 |
|a Sound recordings
|x Production and direction.
|
650 |
|
7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
|
650 |
|
7 |
|a Sound recordings
|x Production and direction
|2 fast
|
700 |
1 |
|
|a Hodgson, Jay,
|e author.
|
776 |
0 |
8 |
|i Print version:
|a Hepworth-Sawyer, Russ.
|t Mixing music.
|d New York ; London : Routledge, 2017
|z 9781138182042
|w (DLC) 2016029195
|w (OCoLC)952470346
|
830 |
|
0 |
|a Perspectives on music production.
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1430117
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH30970592
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH30970593
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1430117
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis34492613
|
938 |
|
|
|a Taylor & Francis
|b TAFR
|n 9781315646602
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14868069
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 13287671
|
994 |
|
|
|a 92
|b IZTAP
|