Cargando…
Sabotage art : politics and iconoclasm in contemporary Latin America /
Sabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commo...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
I.B. Tauris,
2016.
|
| Colección: | International library of modern and contemporary art ;
28. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half-title; Endorsement; Title page; Copyright information; Table of contents; List of Images; Notes on Contributors; Acknowledgments; Introduction; References; Part I Material Sabotage: Ensnaring, Burning, Trespassing; 1 Entrap, Engulf, Overwhelm; 'Laying Traps and Dangling Baits'; Subjects into Objects; Countercultural Carnival; References; 2 Shaman, Thespian, Saboteur; Potlatch; A System of Giving; Letter Bombing; Serialized Incineration; ... by Way of Proximity; References; 3 Pictorial Eviscerations, Emblems and Self-Immolation in Mexico; I. Insubordination; II. Decorum.
- III. Self-ImmolationIV. Sabotage; The Poetics of the Razor Blade; ¡Oh Santa Bandera!: Civic Decorum, Disrespect and Dissensus; Coda: `The same indocile innocence'; References; 4 Bureaucratic Sabotage; Systems Art and Bureaucratic Systems; The Big Monster; Tactic I: Trickery and Stealth; Tactic II: Ridicule, Jam and Infest the System; Tactic III: Disruption and Overidentification; Administered Society and the Body; References; Part II Cannons and Canons: Explosive vs. Implosive Postures; 5 Cogs and Clogs; Interrupted Flows: Neo-Avant-Garde Art in Chile and Argentina.
- Political Orthodoxy and Committed ArtistsArgentine Mass Media Art and (Anti- )Happenings; CADA and the Chilean Escena de Avanzada; Latin American Conceptualism: Sabotaging Art History?; The Saboteur Saboté or the Limits of Art as Subversive Practice; The End of Mass Media Art and Tucumán Arde; NO +; Conceptualism, Inc.; Global Art and Local Re-Readings; References; 6 Impossible Objects; Empty Shoe Box; Yielding Stone; The Found Object; Surrealist Legacies in Latin America; References; 7 El Museo de la Calle ; Bartering at El Cartucho.
- From the Aesthetics of Hunger to the Aestheticization of PovertyCollecting, Representing: Paths and Diversions; References; 8 Stay at Your Own Risk; A Participative Community Can Be Risky as Well ... ; References; 9 'The Space of Appearance'; References; Index.