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|a Freeman, Sara.
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|a Theatre History Studies 2016, Vol. 35.
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|c 2016.
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|a Theatre History Studies ;
|v v. 35
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|a List of Illustrations ; Introduction / Sara Freeman ; Part I. Studies in Theatre History ; Berlin's "First Responder" Artists, 1945-1946: Theatre and Politics from the Rubble / Rebecca Rovit.
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8 |
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|a "Would You Die for the Fatherland?": Disciplining the German Commemorative Body / Scott Venters Shocking the System: The Arts Council, the British Council, and the Paradox of Cherub Theatre Company / Brian E.G. Cook ; The Long View of World Theatre History / Steve Tillis.
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8 |
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|a Part II. Special Section: Rethinking the Maternal Introduction to Part II / Karen Bamford and Sheila Rabillard ; Poisoning the Mother/Land: An Ecofeminist Dramaturgy in José Rivera's Marisol and Cherríe Moraga's Heroes and Saints / Arden Elizabeth Thomas.
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500 |
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|a Making a Spectacle: Motherhood in Contemporary British Theatre and Performance / Jozefina Komporaly Un/Natural Motherhood in Marina Carr's The Mai, Portia Couglan, and By the Bog of Cats ... / Karin Maresh.
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505 |
8 |
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|a Flying Babies and Pregnant Men: Staging Motherhood in Marina Carr's Low in the Dark / Jennifer Douglas Mothers, Daughters, Identity, and Impossibilities / Rhona Justice-Malloy ; "She Was Always Sad": Remembering Mother in Caryl Churchill's Not Enough Oxygen and A Number / Margaret Savilonis.
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|a "Who Let in One of Them Mothers?": Maternal Perversity on the American Musical Stage / Jennifer Worth.
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|a Douglas, Jennifer.
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|a Bamford, Karen.
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|a Cook, Brian E. G.
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|a Haugo, Ann.
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|a Freeman, Sara.
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|i Print version:
|a Freeman, Sara.
|t Theatre History Studies 2016, Vol. 35.
|d Chicago : University of Alabama Press, ©2016
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