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Owen Barfield : philosophy, poetry, and theology.
In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Eugene :
Cascade Books,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Di Fuccia, Michael Vincent. | |
| 245 | 1 | 0 | |a Owen Barfield : |b philosophy, poetry, and theology. |
| 260 | |a Eugene : |b Cascade Books, |c 2016. | ||
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| 520 | |a In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in being's primordial poiēsis. | ||
| 505 | 0 | 0 | |a Machine generated contents note: |t Owen Barfield: A Poetic Philosopher -- |t Literature Review -- |t Overview and Plan -- |t Terminology -- |g pt. I |t AESTHETIC PARTICIPATION -- |g ch. 1 |t Poetic Language -- |t Evolution of Consciousness -- |t Language: Owen Barfield's Philological Investigations -- |t Language and Being: Poetry in Owen Barfield and Martin Heidegger -- |g ch. 2 |t Poetic Philosophy -- |t Situating Samuel Taylor Coleridge -- |t Owen Barfield's Reception of Coleridge -- |g pt. II |t SOCIOLOGICAL PARTICIPATION -- |g ch. 3 |t Poetic Living -- |t Influence of Lucien Levy-Bruhl -- |t Assessing the Primitive -- |t Lucien Levy-Bruhl's Successors: The Inherent Nature of Participation -- |g ch. 4 |t Poetic Making -- |t Rise of Modern Science -- |t Owen Barfield's Critique of Modern Science -- |g pt. III |t THEOLOGICAL PARTICIPATION -- |g ch. 5 |t Poetic Theology -- |t Limits of Philosophy: A Participatory Alternative -- |t Poiesis Proper: Theology as Poetic Metaphysics. |
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| 600 | 1 | 0 | |a Barfield, Owen, |d 1898-1997 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Barfield, Owen, |d 1898-1997. |2 fast |0 (OCoLC)fst00040983 |
| 650 | 0 | |a Poetry |x Religious aspects. | |
| 650 | 6 | |a Religion et poésie. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Poetry |x Religious aspects. |2 fast |0 (OCoLC)fst01067729 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |z 1498238742 |z 9781498238748 |w (OCoLC)951646340 |
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