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Composition, creative writing studies and the digital humanities /
In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Compositi...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Digital pasts: on composition, creative writing, and emergent technologies
- Defining digital creative writing studies
- Ideology, subjectivity, and the creative writer in the digital age
- Process, genre, and technologizing the word
- Fenceless neighbors: on composition, creative writing, and emerging institutional practices.
- Title Page; Copyright Page; Contents; Acknowledgments; Foreword; Introduction; Aesthetics and "creative composition"; Creative writing and composition; Creative writing and technology; A note on categorical systems; Where I'm going, where I've been; Composition, creative writing studies, and the digital humanities; Note; Chapter 1: Digital Pasts: On Composition, Creative Writing, and Emergent Technologies; Creativity in composition; Invention and imagination in composition; Critical-creative composition; Composition, new media, and the rise of creative writing studies.
- Creative writing and the digital humanitiesNotes; Chapter 2: Defining Digital Creative Writing Studies; Creative writing scholarship and "craft criticism"; Hypertext and its descendents: Digital processes; Genre(s) growing; Authors, avatars, and identity: Managing authorship and ownership in a digital age; Institutionality; Craft and contours: English studies and digital craft criticism; Notes; Chapter 3: Ideology, Subjectivity, and the Creative Writer in the Digital Age; The "Big T" Text and the "little t" text; Voice and unoriginality; Medial ecologies and subject positions.
- A mediated writer's subjectivityElectronic ethos; Landscape as canvas: Rhythm science; Authors, institutions, and ideology; Notes; Chapter 4: Process, Genre, and Technologizing the Word; (Nervous) cultural conditions: Writing and the electromagnetic imaginary; Writing as technology; Genre, process, and the production of knowledge; Chapter 5: Fenceless Neighbors: On Composition, Creative Writing, and Emerging Institutional Practices; Methodological; Pedagogy; Disciplinary identity; Fenceless neighbors: Composition, creative writing studies, and the digital humanities; Works Cited; Index.