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Teaching sound film : a reader /
Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechos...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rotterdam :
Sense Publishers,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ADVANCE PRAISE FOR TEACHING SOUND FILM: A READER; TABLE OF CONTENTS; LIST OF FIGURES; INTRODUCTION; CHAPTER 1: THE FRONT PAGE, DRAMATIC FARCE, AND AMERICAN (FILM) COMEDY; BIBLIOGRAPHY; CHAPTER 2: PERIOD PIECE, PEACE PICTURE: RENOIR'S LA GRANDE ILLUSION RECONSIDERED; BIBLIOGRAPHY; CHAPTER 3: THE REAL FASCINATION OF CITIZEN KANE: WELLES'S MASTERPIECE RECONSIDERED; BIBLIOGRAPHY; CHAPTER 4: ITALIAN NEOREALISM, VITTORIO DE SICA, AND BICYCLE THIEVES; BIBLIOGRAPHY; CHAPTER 5: DEATH WISH, CHILD'S WHIM, AUTEURIST WILL: BOYER AND CLÉMENT'S FORBIDDEN GAMES REPLAYED; BIBLIOGRAPHY.
- CHAPTER 6: CIRCUMSTANTIAL EVIDENCE: AKIRA KUROSAWA AND THE SEVEN SAMURAIBIBLIOGRAPHY; CHAPTER 7: THE ARTISTIC ACHIEVEMENT OF FEDERICO FELLINI: THE NIGHTS OF CABIRIA AS EXEMPLUM; BIBLIOGRAPHY; CHAPTER 8: FARCE, DREAMS, AND DESIRE: BILLY WILDER'S SOME LIKE IT HOT RE-VIEWED; BIBLIOGRAPHY; CHAPTER 9: MARRIED TO THE JOB: ERMANNO OLMI'S IL POSTO; BIBLIOGRAPHY; CHAPTER 10: NEOREALIST ART VS. OPERATIC ACTING IN PASOLINI'S MAMMA ROMA; BIBLIOGRAPHY; CHAPTER 11: TRAINSPOTTING: JIŘÍ MENZEL'S CLOSELY WATCHED TRAINS; BIBLIOGRAPHY.
- CHAPTER 12: THOUGHT, FEELING, AND THE CINEMA OF FRANCIS FORD COPPOLA: THE RAIN PEOPLE AS EXEMPLUMBIBLIOGRAPHY; CHAPTER 13: THE FALL OF BÉATRICE, THE SALVATION OF POMME: SIMULTANEITY AND STILLNESS IN GORETTA'S THE LACEMAKER; BIBLIOGRAPHY; CHAPTER 14: WOODEN ALLEN, OR MADE IN MANHATTAN; BIBLIOGRAPHY; CHAPTER 15: MEMORIES ARE MADE OF THIS: RAINER WERNER FASSBINDER'S VERONIKA VOSS; BIBLIOGRAPHY; CHAPTER 16: CASE REOPENED: MRINAL SEN'S THE CASE IS CLOSED; BIBLIOGRAPHY; CHAPTER 17: EPIPHANIES: NANNI MORETTI'S THE MASS IS ENDED; BIBLIOGRAPHY.
- CHAPTER 18: COMEDIES ARE PROVERBIAL: ERIC ROHMER'S BOYFRIENDS AND GIRLFRIENDSBIBLIOGRAPHY; CHAPTER 19: FINNISH CHARACTER: AKI KAURISMÄKI'S ARIEL; BIBLIOGRAPHY; CHAPTER 20: LAW OF THE JUNGLE: IDRISSA OUÉDRAOGO'S TILAÏ; BIBLIOGRAPHY; CHAPTER 21: MARÍA NOVARO'S DANZÓN IN LIGHT OF THE CINEMA OF PEDRO ALMODÓVAR; BIBLIOGRAPHY; CHAPTER 22: WORK, FAMILY, AND POLITICS: KEN LOACH'S RIFF-RAFF; BIBLIOGRAPHY; CHAPTER 23: THE USES OF HISTORY: CHEN KAIGE'S FAREWELL, MY CONCUBINE; BIBLIOGRAPHY; CHAPTER 24: THE PRISON-HOUSE OF SEXUALITY: TOMÁS GUTIÉRREZ ALEA'S STRAWBERRY AND CHOCOLATE; BIBLIOGRAPHY.
- CHAPTER 25: LOWER DEPTHS, HIGHER PLANES: THE DARDENNES' LA PROMESSEBIBLIOGRAPHY; CHAPTER 26: WIND AND DUST: ABBAS KIAROSTAMI'S THE WIND WILL CARRY US; BIBLIOGRAPHY; CHAPTER 27: OF HUMAN BONDAGE AND MALE INDULGENCE: AMOS GITAI'S KADOSH; BIBLIOGRAPHY; CHAPTER 28: LATINO ART THROUGH EUROPEAN EYES, OR AGAINST THE AMERICAN EVIL EYE: BARBET SCHROEDER'S OUR LADY OF THE ASSASSINS; BIBLIOGRAPHY; CHAPTER 29: ALL ABOUT MY, YOUR, THEIR MOTHER: ANDRUCHA WADDINGTON'S ME, YOU, THEM; BIBLIOGRAPHY; CHAPTER 30: THE SPACE OF TIME, THE SOUND OF SILENCE: TSAI MING-LIANG'S WHAT TIME IS IT THERE?; BIBLIOGRAPHY.