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|a 960871066
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|a 9780191090103
|q (electronic bk.)
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|a 0191090107
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|a (OCoLC)961063332
|z (OCoLC)960871066
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|a PR2976
|b .W367 2016
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|a UAMI
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|a Wells, Stanley,
|d 1930-
|e author.
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|a Shakespeare on page & stage :
|b selected essays /
|c Stanley Wells ; edited by Paul Edmondson.
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|a Shakespeare on page and stage
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|a First edition.
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|a Oxford :
|b Oxford University Press,
|c 2016.
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|a 1 online resource (486 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Includes bibliographical references and index.
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|a This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Its chapters are divided into themed sections, on Shakespearian influences, particular works, theatre, and text.
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|a Includes bibliographical references (pages 475-477) and index.
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|a Cover; Shakespeare on Page & Stage; Copyright; EDITORIAL PREFACE; CONTENTS; Introduction; Part I: SHAKESPEARIAN INFLUENCES; 1: Shakespeare: Man of the European Renaissance; 2: Tales from Shakespeare; Editions cited; (a) Charles and Mary Lamb; (b) Other authors; Part II: ESSAYS ON PARTICULAR WORKS; 3: The Failure of The Two Gentlemen of Verona; 4: The Taming of the Shrew and King Lear: A Structural Comparison; 5: The Integration of Violent Action in Titus Andronicus; 6: The Challenges of Romeo and Juliet; 7: Juliet's Nurse: The Uses of Inconsequentiality; 8: The Lamentable Tale of Richard II.
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|a 9: A Midsummer Night's Dream Revisited10: Translations in A Midsummer Night's Dream; 11: The Once and Future King Lear; 12: Problems of Stagecraft in The Tempest; The opening scene; Text versus spectacle?; The ship as microcosm; Problems of narrative and character; Dramatizing moral contrasts; The love-test and betrothal; Masque as medium-and as message; Crisis, calculation-and renunciation; 13: 'My Name is Will': Shakespeare's Sonnets and Autobiography; 14: Shakespeare Without Sources; I; II; III; IV; V; VI; 15: Shakespeare and Romance; Part III: SHAKESPEARE IN THE THEATRE.
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|a 16: Boys Should be Girls: Shakespeare's Female Roles and the Boy PlayersThe question of the 'adult' women; The scant surviving evidence; The late plays; The case of the Dream; A conclusion; 17: Staging Shakespeare's Ghosts; 18: Staging Shakespeare's Apparitionsand Dream Visions; Introduction; 19: Shakespeare in Planché's Extravaganzas; I; II; III; IV; 20: Shakespeare in Max Beerbohm's Theatre Criticism; 21: Shakespeare in Leigh Hunt's Theatre Criticism; 22: Shakespeare in Hazlitt's Theatre Criticism; 23: Peter Hall's Coriolanus, ; Part IV: SHAKESPEARE'S TEXT; 24: On Being a General Editor.
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|a 6. The Challenges of Romeo and Juliet7. Juliet's Nurse: The Uses of Inconsequentiality; 8. The Lamentable Tale of Richard II; 9. A Midsummer Night's Dream Revisited; 10. Translations in A Midsummer Night's Dream; 11. The Once and Future King Lear; 12. Problems of Stagecraft in The Tempest; 13. My Name is Will': Shakespeare's Sonnets and Autobiography; 14. Shakespeare Without Sources; 15. Shakespeare and Romance; 16. Boys Should be Girls: Shakespeare's Female Roles and the Boy Players; 17. Staging Shakespeare's Ghosts; 18. Staging Shakespeare's Apparitions and Dream Visions.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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600 |
1 |
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|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
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|d 1564-1616
|2 fast
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|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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|a Edmondson, Paul,
|e editor.
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776 |
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|i Print version:
|a Wells, Stanley.
|t Shakespeare on Page and Stage : Selected Essays.
|d Oxford : OUP Oxford, ©2016
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856 |
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|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1378926
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938 |
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|a Askews and Holts Library Services
|b ASKH
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938 |
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|a ProQuest Ebook Central
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938 |
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