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Radical planes? 9/11 and patterns of continuity /

Radical Planes? 9/11 and Patterns of Continuity explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Mohr, Dunja M., 1968- (Editor ), Däwes, Birgit (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2016.
Colección:Costerus.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Radical planes? 9/11 and patterns of continuity /  |c edited by Dunja M. Mohr, Birgit Dawes. 
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505 0 |a Radical Planes? 9/11 and Patterns of Continuity; Copyright; Contents; Notes on Contributors; 1 Transnational Dimensions of 9/11: An Introduction; Part 1: Positionings of 9/11; 2 Public Culture after 9/11 and Peter Josyph's Liberty Street; 3 The Coincidence of Historical Fiction: "Code-Orange" Reading after 9/11; 4 Philosophical and Literary Dialogues in a Time of Terror; Part 2: 9/11 and Patterns of Continuity; 5 Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan's Saturday, Ali Smith's The Accidental, and Mohsin Hamid's The Reluctant Fundamentalist. 
505 8 |a 6 Letters to Osama and Terrorist Mindsets: Coming to Terms with 9/11 in Chris Cleave's Incendiary and John Updike's Terrorist7 Homeland Security and Transmigration in Richard Powers's The Echo Maker; 8 Male Domesticity and the 9/11-Novel: Jay McInerney's The Good Life; Part 3: 9/11, the Performative, and the Visual; 9 "This is My Country, Too, You Know!" Intercultural Encounters in Post-9/11 Arab American Drama; 10 "You Ever Think about the Term 'Homeland Security'?" Todd Field's Adaptation of Tom Perrotta's Little Children. 
520 8 |a Radical Planes? 9/11 and Patterns of Continuity explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed "everything," and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity? 
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