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New tendencies : art at the threshold of the information revolution (1961-1978) /

An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Medosch, Armin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts : The MIT Press, [2016]
Colección:Leonardo (Series) (Cambridge, Mass.)
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a New tendencies :  |b art at the threshold of the information revolution (1961-1978) /  |c Armin Medosch. 
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504 |a Includes bibliographical references (pages 309-354) and index. 
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505 0 |a Series Foreword; Acknowledgments; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies, 1961); Constructing Peripheral Modernity; Postwar Discourses on Art, Design, Technology, and Society; In Search of the Infinite: The Networks Preceding New Tendencies; New Tendencies 1961: The Exhibition; The Aesthetics of Relational Fields; Visual Structuralism; Anticipating the Electronic Grid; 2 The Scientification of Art? (1962-1963); Art as Research; Collective Production; Art and Information Aesthetics; Programmed Art; Participation in the New Machine Age. 
505 8 |a The Second New Tendencies Exhibition (1963)The Breton Moment; 3 Dreamworlds of Cybernetic Socialism (1963-1965); The Relationship between Art and Design; The Third New Tendencies Exhibition; Homo Ludens in the Environment; The End of New Tendencies as a Movement; 4 Computers, Visual Research, and "1968" (1968-1969); Computers and Visual Research: The Events of Summer 1968; Biasi Complains; The Year 1968 as a Paradigm-Changing Moment in History; Communism at the Crossroads; Networking for Computers and Visual Research; tendencies 4 (May-August 1969). 
505 8 |a The Computers and Visual Research ExhibitionGustav Metzger; Otto Beckmann and ars intermedia; Compos 68; Marc Adrian; Vladimir Bonačić; Computers and Visual Research Conference; 5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); The New Art Practices; Vojvodina Conceptual Avant-Garde; Art in the Informational Paradigm; Art and Society (1977-1978); 6 Information Aesthetics Now; Notes; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies 1, 1961); 2 The Scientification of Art? (1962-1963); 3 Dreamworlds of Cybernetic Socialism (1963-1965). 
505 8 |a 4 Computers, Visual Research, and "1968" (1968-1969)5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); 6 Information Aesthetics Now; Artwork Cited; Introduction; 1 Anticipation of the Electronic Grid (New Tendencies, 1961); 2 The Scientification of Art? (1962-1963); 3 Dreamworlds of Cybernetic Socialism (1963-1965); 4 Computers, Visual Research, and "1968" (1968-1969); 5 Dematerializations: Art in the Early Information Revolution (1971/1973-1978); Bibliography; Archive Sources; Published Sources; Index. 
520 |a An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. 
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650 0 |a Information theory in aesthetics. 
650 0 |a Art and technology  |z Europe  |x History  |y 20th century. 
650 0 |a Art and society  |z Europe  |x History  |y 20th century. 
650 6 |a Théorie de l'information en esthétique. 
650 6 |a Art et technologie  |z Europe  |x Histoire  |y 20e siècle. 
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650 7 |a Kunst  |2 gnd 
650 7 |a Neue Medien  |2 gnd 
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651 7 |a Jugoslawien  |2 gnd 
648 7 |a 1900-1999  |2 fast 
653 |a DIGITAL HUMANITIES & NEW MEDIA/New Media Art 
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