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Communards and other cultural histories : essays by Adrian Rifkin /

This collection of some 32 articles and essays by Adrian Rifkin is written over a period of forty years. It contains innovative scholarly and historical studies of the political and social archives of art, urbanism, music, and popular life in France and Britain in the nineteenth and twentieth centur...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rifkin, Adrian (Autor)
Otros Autores: Edwards, Steve, 1959- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : Brill, 2016.
Colección:Historical materialism book series ; volume 128
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Communards and other cultural histories :  |b essays by Adrian Rifkin /  |c edited by Steve Edwards. 
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490 0 |a Historical materialism book series ;  |v volume 128 
504 |a Includes bibliographical references and index. 
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505 0 |a ‎Contents; ‎Acknowledgements; ‎List of Figures; ‎Introduction. Adrian Rifkin, or from Art History in Ruins to a Lost Object (Edwards); ‎Re-Reading by Torchlight (Rifkin); ‎Part 1. New Art Histories; ‎Chapter 1.1. Art's Histories; ‎Chapter 1.2. Can Gramsci Save Art History? Traditional Art History -- Some Aspects of The Problem; ‎Chapter 1.3. Marx' Clarkism; ‎Chapter 1.4. Carmenology; ‎Chapter 1.5. History, Time and the Morphology of Critical Language, or Publicola's Choice; ‎Chapter 1.6. Bi-Centennial Literature on Art and the French Revolution 
505 8 |a ‎Chapter 1.7. The Words of Art, the Artist's Status: Technique and Affectivity in France (1789-98)‎Chapter 1.8. From Structure to Enigma and Back, Perhaps; ‎Part 2. Society, Image, Social Difference: Between the Paris Commune, the Salon and the People; ‎Chapter 2.1. Cultural Movement and the Paris Commune; ‎Chapter 2.2. The Sex of French Politics; ‎Chapter 2.3. No Particular Thing to Mean; ‎Chapter 2.4. Well-Formed Phrases: Some Limits of Meaning in Political Print at the End of the Second Empire 
505 8 |a ‎Chapter 2.5. Ingres and the Academic Dictionary: An Essay on Ideology and Stupefaction in the Social Formation of the 'Artist'‎Chapter 2.6. Success Disavowed: The Schools of Design in Mid-Nineteenth-Century Britain (An Allegory); ‎Chapter 2.7. Murals of the Buvette de la Commune -- A Pictorial Dossier; ‎Part 3. Paris and More on the People; ‎Chapter 3.1. Musical Moments; ‎Chapter 3.2. Parvenu or Palimpsest: Some Tracings of the Jew in Modern France; ‎Chapter 3.3. Il y a des mots qu'on souhaiterait ne plus lire; ‎Chapter 3.4. Gay Paris 
505 8 |a ‎Chapter 3.5. Americans Go Home: Which is More American, Paris-Texas or Paris-France?‎Part 4. Alternatives to the Grander Schemas, or Resistance to the Critique of Grand Narrative as a Form of Grand Narrative; ‎Chapter 4.1. Down on the Upbeat: Adorno, Benjamin and the Jazz Question; ‎Chapter 4.2. Total Ellipsis: Zola, Benjamin and the Dialectics of Kitsch; ‎Chapter 4.3. The Long Run of Modernity, or an Essay in Post-Dating; ‎Chapter 4.4. Benjamin's Paris, Freud's Rome: Whose London?; ‎Chapter 4.5. Bayreuth, World City? Or: The Provincial Village as Global Denkmal ... 
505 8 |a ‎Part 5. Postscripts: Different Beginnings‎Chapter 5.1. The Paris Commune of 1871 and Political Print; ‎Chapter 5.2. For an Artist ...; ‎Chapter 5.3. No Thing to Regret ...; ‎Bibliography of Writings by Adrian Rifkin (to 2012); ‎Bibliography; ‎Index 
520 8 |a This collection of some 32 articles and essays by Adrian Rifkin is written over a period of forty years. It contains innovative scholarly and historical studies of the political and social archives of art, urbanism, music, and popular life in France and Britain in the nineteenth and twentieth centuries. Included are studies of the Paris Commune, the figure of Edith Piaf in French culture, histories of art education and opera as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin; also included are short polemical essays on queer theory. An extended introduction by Steve Edwards works over the important questions of time in Marxist cultural theory and the critique of disciplinary formation that underpin many of Rifkin's essays. 
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