Ashcan art, whiteness, and the unspectacular man /

Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. As...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Boylan, Alexis L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Bloomsbury Academic, 2017.
Temas:
1800-1999
Masculinity in art.
Ashcan school of art.
Painting, American > 19th century > Themes, motives.
Painting, American > 20th century > Themes, motives.
Art and society > United States > History > 19th century.
Art and society > United States > History > 20th century.
Masculinité dans l'art.
Ashcan school.
Peinture américaine > 19e siècle > Thèmes, motifs.
Peinture américaine > 20e siècle > Thèmes, motifs.
Art et société > États-Unis > Histoire > 19e siècle.
Art et société > États-Unis > Histoire > 20e siècle.
Ashcan School.
History of art > art & design styles.
Individual artists, art monographs.
Theory of art.
ART > Performance.
ART > Reference.
Art and society
Ashcan school of art
Masculinity in art
Painting, American > Themes, motives
United States
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • What are you looking at? Bodies, desire, and portraits
  • Working hard or hardly working? Labor, race, and manhood
  • Sex sells: Desire, money, and male bodies
  • Men seeking men.

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