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Knowledge in motion : perspectives of artistic and scientific research in dance /
"In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Bielefeld :
Transcript,
[2007]
|
| Colección: | TanzScripte ;
Bd. 9. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Knowledge in motion : |b perspectives of artistic and scientific research in dance / |c Sabine Gehm, Pirkko Husemann, Katharina von Wilcke (eds.) ; [translations from German, Bettina von Arps-Aubert]. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2007] | |
| 264 | 4 | |c ©2007 | |
| 300 | |a 1 online resource (335 pages) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
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| 490 | 1 | |a TanzScripte ; |v volume 9 | |
| 546 | |a Translation of: Wissen in Bewegung : Perspektiven der künstlerischen und wissenschaftlichen Forschung im Tanz. | ||
| 500 | |a A selection of lectures held at the conference "Dance Congress Germany, [which] took place from 20-23 April 2006 at the House of World Cultures in Berlin"--Title page verso | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Preface / |r Hortensia Völckers -- |t Introduction / |r Sabine Gehm, Pirkko Husemann and Katharina von Wilcke -- |t Dance in a knowledge society / |r Gabriele Klein -- |t Dance as culture of knowledge : |t body memory and the challenge of theoretical knowledge / |r Gabriele Brandstetter -- |t Trickstering, hallucinating and exhausting production : |t the blackmarket for useful knowledge and non-knowledge / |r Bojana Cvejic -- |t What is an artistic laboratory? / |r a metalogue between Peter Stamer -- |t The mode of knowledge production in artistic research / |r Henk Borgdorff -- |t Artistic research as an expanded kind of choreography using the example of Emio Greco/PC / |r Marijke Hoogenboom -- |t Talking about scores : |t William Forsythe's vision for a new form of dance literature / |r Rebecca Groves, Norah Zuniga Shaw and Scott deLahunta -- |t If you don't know, why do you ask? An introduction to the method of Real-time composition / |r João Fiadeiro -- |t How do you want to work today? Notes on an alternative choreographic mode for the production of speech / |r Jeroen Peeters -- |t Making worlds available / |r Alva Noë -- |t Flickering and change / |r Meg Stuart in dialogue with Scott deLahunta -- |t Expeditions to the inner teacher : |t how the pioneers of movement studies inspire dance / |r Irene Sieben -- |t Sharing with others / |r Dieter Heitkamp in dialogue with Gabriele Wittmann -- |t About risks and side effects of dancing : |t dance medicine in dance training and the professional career / |r Eileen M. Wanke -- |t Capturing the essence : |t a personal view on dance history and reconstruction / |r Jason Beechey -- |t Re-constructions : |t figures of thought and figures of dance : |t Nijinsky's Faune : |t experiences with dancing competence / |r Claudia Jeschke -- |t What the body remembers : |t how Pina Bausch keeps her repertoire in shape / |r Norbert Servos -- |t Reconstructing Dore Hoyer's Affectos humanos / |r Yvonne Hardt on a discussion with Waltraud Luley, Susanne Linke and Martin Nachbar -- |t Digestion and infusion : |t ways of interpreting dance / |r Julia Cima in dialogue with Alexandra Baudelot -- |t The body as archive : |t on the difficult relationship between movement and history / |r Inge Baxmann -- |t For a participatory theatre : |t touching instead of fumbling / |r Felix Ruckert -- |t On the threshold : |t aesthetic experience in performances / |r Erika Fischer-Lichte -- |t The politics of collective attention / |r Rudi Laermans -- |t Generating space / |r Hooman Sharifi in dialogue with Björn Dirk Schlüter -- |t Critique versus critical practice? The impossibility and possibilities of contemporary dance critique / |r Constanze Klementz -- |t Performing the school / |r Boris Charmatz in dialogue with Jeroen Peeters on Bocal -- |t Building a common language / |r Thomas Lehmen in dialogue with Pirkko Husemann -- |t On considering a comparative approach : |t a model for classification of dance techniques / |r Kurt Koegel -- |t Break-up : |t new paths in dance education / |r Ingo Diehl -- |t Dance careers in transition : |t a field of action for dance in Germany? / |r Cornelia Dümcke -- |t Working on experience / |r Royston Maldoom in dialogue with Edith Boxberger -- |t Learning unconsciously / |r Linda Müller in dialogue with Silvia Stammen -- |t Art is not a luxury / |r Livia Patrizi in dialogue with Silvia Stammen -- |t The students have to come first / |r Hanna Hegenscheidt and Jo Parkes in dialogue with Elisabeth Nehring. |
| 520 | |a "In globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science"--Jacket | ||
| 545 | 0 | |a Sabine Gehm graduated in Cultural Studies and is artistic director of the festival Tanz Bremen. Pirkko Husemann is a theatre scholar and works as author and dramaturge in dance. Katharina von Wilcke graduated in German philology and works as independent cultural manager and curator in the field of dance and theatre. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Dance |x Research |v Congresses. | |
| 650 | 0 | |a Dance |x Study and teaching |v Congresses. | |
| 650 | 0 | |a Art and dance |v Congresses. | |
| 650 | 0 | |a Body image |v Congresses. | |
| 650 | 0 | |a Dance |x Philosophy |v Congresses. | |
| 650 | 0 | |a Dance |x Social aspects |v Congresses. | |
| 650 | 6 | |a Danse |x Recherche |v Congrès. | |
| 650 | 6 | |a Danse |x Étude et enseignement |v Congrès. | |
| 650 | 6 | |a Art et danse |v Congrès. | |
| 650 | 6 | |a Image du corps |v Congrès. | |
| 650 | 6 | |a Danse |x Philosophie |v Congrès. | |
| 650 | 6 | |a Danse |x Aspect social |v Congrès. | |
| 650 | 7 | |a Art and dance. |2 fast |0 (OCoLC)fst00815392 | |
| 650 | 7 | |a Body image. |2 fast |0 (OCoLC)fst00835344 | |
| 650 | 7 | |a Dance |x Philosophy. |2 fast |0 (OCoLC)fst00887437 | |
| 650 | 7 | |a Dance |x Research. |2 fast |0 (OCoLC)fst00887461 | |
| 650 | 7 | |a Dance |x Social aspects. |2 fast |0 (OCoLC)fst00887466 | |
| 650 | 7 | |a Dance |x Study and teaching. |2 fast |0 (OCoLC)fst00887472 | |
| 650 | 1 | 7 | |a Dans. |2 gtt |
| 650 | 1 | 7 | |a Receptie. |2 gtt |
| 655 | 7 | |a Conference papers and proceedings. |2 fast |0 (OCoLC)fst01423772 | |
| 655 | 7 | |a Conference papers and proceedings. |2 lcgft | |
| 655 | 7 | |a Actes de congrès. |2 rvmgf | |
| 700 | 1 | |a Gehm, Sabine, |e editor. | |
| 700 | 1 | |a Husemann, Pirkko, |e editor. | |
| 700 | 1 | |a Wilcke, Katharina von, |e editor. | |
| 711 | 2 | |a Tanzkongress Deutschland. | |
| 776 | 0 | 8 | |i Print version: |t Knowledge in motion. |d Bielefeld : Transcript, ©2007 |z 9783899428094 |w (OCoLC)185038711 |
| 830 | 0 | |a TanzScripte ; |v Bd. 9. | |
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