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Understanding video game music /
Music is a central component of video games. This book provides methods and concepts for understanding how game music works.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2016.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Summers, Tim, |d 1987- |e author. | |
| 245 | 1 | 0 | |a Understanding video game music / |c Tim Summers ; foreword by James Hannigan. |
| 264 | 1 | |a Cambridge : |b Cambridge University Press, |c 2016. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 19, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Music is a central component of video games. This book provides methods and concepts for understanding how game music works. | ||
| 505 | 8 | |a Introduction: Beyond the Candelabrum Goals and Agendas ; Part I Analysing Video Game Music ; 1 The Video Game as a Source ; Music in Games ; Before the Gameplay ; Gameplay Music ; The Challenges of the Text ; 2 Methods of Analysis ; In-Game Sources ; Analytical Play | |
| 505 | 8 | |a Programming and Music Data Musical Material ; Satellite Sources ; Production Documents, Reports and Interviews ; Recordings, Liner Notes, Scores, Associated Music ; Reviews and Player Comments ; Representing Game Music ; Part II Critical Perspectives | |
| 505 | 8 | |a 3 Texturing and the Aesthetics of Immersion Immersion and Texturing ; Epic Texturing ; Bodies, Nations and Musical Links ; Your Name Is Bond, James Bond ; Music and Virtual Perception: Variations and Voodoo ; Kant and the Metaphysical Loom ; Conceptual Toolkit | |
| 505 | 8 | |a 4 Music and Virtual Game Worlds Realism, Realities and the Racing Game ; Actual World Cultures, Virtual Worlds ; Virtual Histories ; Modes of Interacting with Virtual Worlds ; Asserting Fairness: Disinterested Music and Game Architectures ; 5 Communication for Play | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Video game music |x History and criticism. | |
| 650 | 6 | |a Jeux vidéo, Musique de |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Video game music. |2 fast |0 (OCoLC)fst01740103 | |
| 650 | 7 | |a Videospiel |2 gnd | |
| 650 | 7 | |a Computerspiel |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Hannigan, James, |e writer of foreword. | |
| 776 | 0 | 8 | |i Print version: |a Summers, Tim, 1987- |t Understanding video game music. |d Cambridge : Cambridge University Press, 2016 |z 9781107116870 |z 1107116872 |w (DLC) 2016014926 |w (OCoLC)945804260 |
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