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Connecting art markets : Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade /
"Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
Brill,
2016.
|
| Colección: | Studies in the history of collecting & art markets ;
v. 1. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9004334831 |q (electronic bk.) | ||
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| 100 | 1 | |a Ginhoven, Sandra van, |e author. | |
| 245 | 1 | 0 | |a Connecting art markets : |b Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade / |c by Sandra van Ginhoven. |
| 263 | |a 1612 | ||
| 264 | 1 | |a Boston : |b Brill, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in the history of collecting & art markets ; |v volume 1 | |
| 500 | |a Outgrowth of the author's thesis (doctoral--Duke University, 2015) under the title: Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a Acknowledgments; List of Abbreviations; Introduction; Chapter 1 Art Dealers as Cultural Agents: The Case of Guilliam Forchondt; 1.1 A Markets Approach to Early Modern European and Latin American Art; 1.2 Art Dealers in Early Modern Art and Markets History; Guilliam Forchondt as Case Study; Chapter 2 The Southern Netherlands Factor in the Transatlantic Paintings Trade; 2.1 Transatlantic Art Trade through Shipping Documents; 2.2 The Transatlantic Journey and Traffic; The Planning Stage; The Transatlantic Journey; Transatlantic Traffic during the Seventeenth Century. | |
| 505 | 8 | |a Flemish Merchants in the American Trade2.3 Transatlantic Art Trade Flows, 1630-80; Artworks in the Carrera de Indias; 2.4 Selling Paintings from the Southern Netherlands in the New World; Reactions in Mexico and Peru to the Competition; Chapter 3 The Forchondt Business Model; 3.1 Antwerp's Painting Industry and Guilliam Forchondt; 3.2 The Forchondt Business; Valuation and Scope of the Business; Products, Processes and Profits; 3.3 Market Dynamics and the Changing Structure of the Firm; The Family Business; Contracting and Subcontracting Arrangements; Suppliers; Agents and Buyers. | |
| 505 | 8 | |a Chapter 4 Marketing Paintings through their Characteristics4.1 Antwerp Art Production for Exports and Buyers' Preferences; 4.2 Preferences for Paintings by Geographical Location; The Southern Netherlands; The Dutch Republic; France; Vienna and German Cities; The Iberian Peninsula and the Americas; Chapter 5 The Long-Distance Commercial Network with Spain and the Americas; 5.1 Early Modern Commercial Networks in the Art Trade; 5.2 Guilliam Forchondt's Commercial Network; Scope and Scale of Forchondt's Commercial Relationships; Shipping and Financial Intermediaries for the Iberian Peninsula. | |
| 505 | 8 | |a Forchondt's Art Trade Network with Spain and the AmericasChapter 6 Dealer Behavior in Spain and the Americas; 6.1 Flemish Paintings for the Iberian Peninsula and the New World; 6.2 Production and Reproduction of Paintings; 6.3 Dissemination of Multiple Originals and Adaptability of Visual Motifs; 6.4 Painters, Dealers and the Market for Paintings in Seville, Cadiz, Mexico and Peru; Conclusion; Appendices; Bibliography; Unpublished Primary Sources; Published Primary Sources; Secondary Sources; Index. | |
| 520 | |a "Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic."--Publisher description | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Forchondt, Guilliam, |d 1608-1678. |
| 600 | 1 | 7 | |a Forchondt, Guilliam, |d 1608-1678 |2 fast |
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| 650 | 0 | |a Painting |x Marketing |x History |y 17th century. | |
| 650 | 0 | |a Painting |x Collectors and collecting |x History |y 17th century. | |
| 650 | 6 | |a Marchands d'œuvres d'art |z Belgique |z Anvers |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Peinture |x Collectionneurs et collections |x Histoire |y 17e siècle. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
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| 650 | 7 | |a Painting |x Collectors and collecting |2 fast | |
| 650 | 7 | |a Painting |x Marketing |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Ginhoven, Sandra van. |t Connecting art markets. |d Boston : Brill, 2016 |z 9789004319745 |w (DLC) 2016041112 |
| 830 | 0 | |a Studies in the history of collecting & art markets ; |v v. 1. | |
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